Ring

Interest in glyphic art, that reached its collecting apogee during Grand Tour collecting, is resurgent once more.

Fifteen upcoming lots from auctions taking place around the UK.

A recent Stroud Auctions sale featured a private collection of more than 120 pieces of Georgian and Victorian jewellery. Most were rings, among them many examples of mourning jewellery in a wide range of forms and materials.

This Grand Tour-era ring sold at Great Western Auctions (20% buyer’s premium) in Glasgow features an unusual banded carnelian intaglio carved with a putti holding the leg of a large grasshopper.

An early 16th century ring found by a metal detectorist in East Yorkshire has sold at auction for £36,000.

Chiswick Auctions will offer a single-owner collection of memorabilia relating to the second generation English Romantic poet, George Gordon Byron (1788-1824).

Glyphic art was one of the success stories of 2019. The return to collecting fashion of this once dusty academic field is bringing more hardstone gems to the market.

An intaglio ring became the second of the ‘lost’ Marlborough jewels to surface at auction in 2019 when it sold for £36,000 (plus 22.5% premium) in Cambridge.

A Roman bronze ring offered for sale by Pax Romana (15% buyer’s premium) in London on November 24 appears to shed light on a little known aspect of the imperial army: the contribution of Jewish soldiers.

It was not catalogued as such, but this silver ring modelled as a standing lion with a gold-coloured mane is designed by Moshe Oved (1885-1958), the owner of celebrated Bloomsbury antique shop Cameo Corner where jewellery expert John Benjamin first learnt his trade.

This early medieval gold ring dates to the time of the Crusades – its decoration of a five-fold ‘Jerusalem’ cross suggesting a link with the Knights Templar.

Out of favour for a generation, grand tour and ancient intaglios and cameos are enjoying a return to form.

The November 18 sale titled California Jewelry held by Doyle New York on the West Coast includes a group of French Art Nouveau pieces described as ‘Property from an Important Jewel Collector’. Several display the plique-à-jour (‘letting in daylight’) enamelling technique revived in the late 19th century.

A poignant background story or strong suggestion of original ownership greatly adds to the appeal of early jewellery finds often unearthed by metal detectors

Interest in glyphic art, which reached its collecting apogee during the Grand Tour collecting, is resurgent once more.

Pictured here is a Renaissance ring set with five point-cut diamonds – typical of the most opulent jewels produced in 16th century Venice. It forms part of the 35-piece private collection of precious stone dealer Benjamin Zucker that will be offered for sale at Les Enluminures in New York from October 24-November 9.

Coloured diamonds aside, rubies command higher prices per carat than any other gemstone. Graded using the traditional criteria of the four Cs (colour, cut, clarity and carat weight), they are also evaluated on the basis of geographic origin with the stones from Burma commanding the most interest.

The jewellery sale at Woolley & Wallis in Salisbury on October 30 includes over 60 engraved gems – both ancient and Neoclassical – from several single-owner collections. A selection of rings is pictured here: