Clarice Cliff

The so-called Lucerne pattern, decorated in primary colours with a stylised Mediterranean chateau in a landscape, ranks among the scarcest and most desirable of all designs from Clarice Cliff’s ‘Appliqué’ range.

WHEN a market softens, it is often best to return to first principles – the core values of condition, market freshness and pricing that can be overlooked when an area of collecting really ‘takes off’.

NO-ONE seemed to be in doubt about the quality of Sevi Guatelli’s Clarice Cliff collection.

A YORKSHIRE dealer lost a lifetime's collection in one night when thieves stole the bulk of his Clarice Cliff stock built up over the last 25 years. Art Deco dealer Muir Hewitt lost around 55 pieces of Clarice Cliff when the thieves targeted his shop in the Redbrick Mill in Batley in the early hours of July 26.

Midlands auctioneers Fieldings and the Clarice Cliff Collectors’ Club (CCCC) are to join forces to hold sales of the avidly collected Art Deco pottery.

Collectors of Clarice Cliff have voiced their opposition to increased auctioneers’ charges with some refusing to attend Christie’s latest sale of the popular Art Deco pottery.

THE reputation established by Gardiner Houlgate over the last ten years for Clarice Cliff pottery has resulted in two specialist sales each year of around 200 lots.

The market for Clarice Cliff may not be the spirited beast it was five or six years ago when Christie’s South Kensington’s specialist sales could routinely expect to boast 80-90 per cent selling rates by lot.

THE March 5 sale at Dee Atkinson & Harrison's (10% buyer's premium) West Yorkshire saleroom was the first antiques offering of the year and, after an 83 per cent selling rate on nearly 700 lots, the auctioneers took encouragement from the way the market seemed to be picking up, with furniture, at last, edging out of the doldrums.

WITH sales of standard furniture chugging along – but at least finding buyers – Gildings (12.5% buyer's premium) of Market Harborough, in common with many in the provinces, looked to ceramics and clocks to provide the day’s highlights at their March 16 sale.

ALTHOUGH the market for Clarice Cliff appears to be going through one of its periodic troughs, a private collection coming up for sale still virtually guarantees wide interest.

AS WELL as their specialist musical instruments and clock specialist sales, the Bath auctioneers Gardiner Houlgate have been holding pioneering bi-annual sales devoted to Clarice Cliff and decorative arts sales for the past eight years.

Clarice Cliff and Moorcroft: THE majority of Clarice Cliff’s colourful and highly decorative pottery may be financially accessible to large numbers of enthusiasts for three-figure sums, but the top end of the market is driven by a relatively small number of wealthy buyers.

THE auction record for Clarice Cliff was sent tumbling last week on May 14 when Christie’s South Kensington sold this May Avenue charger for £34,000, almost double the previous high of £18,000 paid in December 2001 at Phillips for a charger decorated with the Windmill pattern.

The 1440 lots of 20th century decorative arts offered on the first day of the September 3,4 sale at the Bristol Auction Rooms (buyer’s premium 12.77%) included a range of ceramics, plus a dozen items of metalware and furniture, but the lot that really made the decorator trade sit up was this 4ft 1in (1.25m) terracotta creation, right, by Goldscheider.

When David Brettell was made redundant from Barbers of Market Drayton he decided to go it alone and in October 2001 Brettells was born. Holding weekly general and bi-monthly fine sales, the fledgling auction house has found success in what have been difficult times for the trade.

Clarice Cliff: The latest auction foray into the colourful world of Clarice Cliff at Christie’s South Kensington (17.5/10% buyer’s premium), May 2, did not perform as well as previous specialist sales. Buyers were only found for 62 per cent of the 302 lots compared to their last Clarice Cliff outing in November 2001 that boasted a higher 72 per cent take-up for the 430 lots.

Decorative arts are especially popular in this part of the West Country, where New Age culture and the wealth of new technology has created a sympathetic market for antiques in general and the arts and crafts in particular.

WILKINSON’S/ CLARICE CLIFF: One might have expected Clarice Cliff pottery, with its very large UK collecting base, to be one of the areas of the market more resistant to economic concerns or the lack of confidence triggered by America’s low buying profile. But the jittery mood seems to have rubbed on the two most recent auctions to feature large quantities of Clarice material: that held by Christie’s South Kensington on November 2 and the Applied Arts sale at Sotheby’s Olympia.