19th Century British Art

A private collector in London had his work cut out to secure a painting on offer for €2000-3000 at Nagel (29.5% buyer’s premium) in Stuttgart.

Dealer Miles Barton is looking back over 20 years of selling portraits with a book featuring some of his best discoveries and an exhibition of more examples.

The artist Samuel Fulton (1855-1941) painted portraits of people and horses but by far his favourite subject was dogs.

Atmospheric views of London were the stock-in-trade of George Hyde Pownall (1866-1932).

Small sky study sets a new high for works by the artist who was a great observer of nature

Pictures were a prominent part of the Robert Kime (1946-2022) aesthetic.

This drawing by Victorian artist Simeon Solomon (1840-1905) is titled 'Simeon Solomon’s and Henry Holiday’s Artistic Heroes'.

Not for first time in recent memory, a work by a female artist made an unexpected amount at auction that left saleroom watchers and probably even the auctioneers themselves struggling to explain the price.

A picture of Kelmscott Manor painted when it was the home of William and Jane Morris is returning to the house after it was acquired for The Society of Antiquaries of London.

Sir Henry Raeburn (1756-1823) painted several versions of his portrait of Neil Gow, the most famous 18th century Scottish fiddler, for a number of patrons.

Sailing way above expectations at Sarasota Estate Auctions in Florida was a diminutive English watercolour depicting the deck of a Royal Navy ship.

Trial run for a full worked-up version counts as a highly sought-after picture in its own right

When it comes to historic views of England’s university cities, bidders’ interest is not only determined by the usual factors such as the calibre of the artist and the picture’s condition.

Thoughts that the sweet homely watercolours of Helen Allingham (1848-1926) have fallen from favour commercially may be premature, at least judging by the performance of a couple of works sold at a recent regional sale.

An early 19th century naïve agricultural scene by the elusive Joseph Digby-Curtis (c.1755-1837) posted one of the highest prices for this genre of painting in the last 20 years.

A poignant description of life as an artist studying at the Royal Academy in the mid-19th century emerged at auction and more than doubled its estimate.

There was a time when historic racing pictures by a top name might have been priced close to six figures.