Modern British Art

'Elements of Foliate Heads' will be instantly familiar to fans of John Piper (1903-92), despite the fact that the picture has not been on the market for more than half a century.

Unseen on the market since 1946, a view of Sloane Square (below) by Robert Buhler (1916-89) raced to £5000 at Ewbank’s (22.5% buyer’s premium).

In his later years, Welsh painter Wilf Roberts spent time going on drives, his wife Sue at the wheel, out to the Anglesey countryside. He would set off with pencils or watercolours to sketch landscapes while she waited for him in the car, reading.

A cartoon by Dame Laura Knight (1877-1970) offers a rare and light-hearted look at her married life.

From 1936-45, St Ives artist John Wells (1907-2000) embarked on a series of labour-intensive creations while working as a GP on the Isles of Scilly.

Bill Clark runs Clark Art, which specialises in LS Lowry and modern British art, in Cheshire.

James and Jessica Rawlin of J&J Rawlin specialise in Modern British art and contemporary British ceramics. They are based in rural Suffolk. Here, James talks about their business and how they started it.

More than £35,000 worth of Modern British art from a single-owner collection sold at Bellmans (22% buyer’s premium) in Winchester on June 27-28.

A still-life by Scottish Colourist George Leslie Hunter (1877-1931) not seen on the market for nearly half a century took £72,000 at Hansons (20% buyer’s premium).

'Peu à Peu Sortant de la Brume', a 1969 screenprint by Ceri Richards (1903-71) is part of the annual summer show at Oriel Tegfryn in Anglesey.

More than £47m of Modern British art changed hands in a bumper series held in London, as buyers competed fiercely for blue-chip pieces and lots offering best value.

New auction records were achieved for two of the four Scottish Colourists in the space of a week.

From lighthouses and ships in distress to labourers and landscapes, the two exhibitions at The Fine Art Society in Edinburgh this month celebrate three centuries of Scotland’s art.