Prints

Dreweatt Neate Fine Art have arranged a major private treaty sale to the National Library of Australia, on behalf of a prominent UK family, of a historically important folio of watercolours.

With Sir Walter Scott setting the tone and Victoria and Albert in the vanguard, 19th century followers of fashion developed a highly romanticised passion for all things Scottish.

THE last of the four annual selling shows of Japanese woodblock prints at The Japanese Gallery, 66D Kensington Church Street, London W8, is Cats, Birds and Flowers which opened earlier this month and continues until February 28, 2005.

DAY two of the sale of the Mira Jacob Collection, held by Bailly-Pommery-Voutier & Sotheby’s (23.92 - 14.35% buyer's premium), was devoted to prints and illustrated books and yielded €780,000 (£530,000) with all but seven of the 166 lots selling.

THE National Maritime Museum has purchased two prints from a London dealer following its appeal in the Antiques Trade Gazette for information about two missing William Hodges paintings.

THE 30 plates, all India proofs on heavy paper, that make up an 1857 volume of Etchings for the Art-Union of London by the Etching Club include three by Samuel Palmer – one shown right.

RIGHT: one of 23 coloured aquatints by George Hunt after M.E[gerton] that make up Airy Nothings; Or, Scraps and Naughts, and Odd-cum-Shorts; in a Circumbendipus Hop, Step and Jump, by Olio Rigmaroll, a slim quarto volume of 1825, this one shows ‘Quadrille Dancing at Mr Owen’s Institution, near Lanark’ – the model community established by social and education reformer Robert Owen at the New Lanark cotton mills.

Right: sold for £4200 in the July 21 sale held by Lyon & Turnbull at Jordanstone, an Ayrshire country house, was Rowlandson’s The Comforts of Bath, a set of a dozen prints issued by Fores in 1798, and here loosely inserted in an album of full red crushed morocco.

SOLD for £30,000 at Bonhams on July 15 (as part of the big natural history sale) was a rare series of six mid-18th century engravings dealing with the training of racehorses.

OFFERED by Christie’s New York on June 25 was a magnificent unbound set of the plates that make up Audubon’s great Birds of America (1827-38) that came from the library of the Dukes of Saxe-Meiningen in Thuringia.

FOR their selling exhibition of 70 Japanese woodblock prints to the end of November, the Japanese Gallery at 66D Kensington Church Street, London W8 have chosen the theme Snow, Moon & Flowers.

RIGHT: Indoor Athlete, a signed “first stone” lithograph of 1921 by American artist George Bellows, which made $13,000 (£7065) in a May 21-23 sale held by Northeast Auctions of Portsmouth, New Hampshire.

THESE two half-length images of women, right, could hardly be more different in date or technique, but their prices proved as uncannily similar as their poses when they came under the hammer at recent fine art auctions.

THE considerable coverage given to Asia Week in London, on these pages and in the national press, rather neglected one gallery which was bringing the art of the Orient to London long before the Asia week promotion was thought of.

OVER 600 lots of ‘Old Master through Contemporary Prints’ were offered by Swanns on May 6 and in the former category, Dürer and Rembrandt figured prominently among the higher priced lots.

OVER a period of 30 years, the late Sir Charles Clarke of Broadhurst Manor in Sussex built up a remarkable collection of engravings, drawings and other material by Edouard Travies. He came to be recognised as the leading authority on the artist and his collection of Travies lithographs of La Chasse and other similar suites of plates is perhaps the finest ever to have come onto the market.

THIS punting scene by Whistler is one of some 3000 additional original and reproduction etchings and engravings, mostly full-page and many mounted and titled in ink as well as being mounted, where possible opposite the relevant text, that were to be found in an extra-illustrated 1880, third edition of Philip G. Hamerton’s Etchings & Etchers seen at Bonhams on May 6.

ONE of the Thirty-One Original Etchings of Views of Norfolk by John Crome, a portfolio collection issued in 1821 by Freemans of Norwich, that sold for £3200 to an American collector in a Christie’s South Kensington sale of April 29.

IN a general sale held by Bloomsbury Auctions on May 13, a copy of J.M. Richards’ High Street of 1938 that was signed on the front free endpaper by W.J. Bassett-Lowke, the proprietor of one of the shops illustrated in the work’s coloured litho illustrations by Eric Ravilious, was sold for £1150.

A travel sale held by Christie’s South Kensington on April 29 was a mix of books, prints and pictures and seen here are two items from a section of that sale devoted to the Alpine regions.