Watercolour painting

With a dozen works by the artist currently on show at Tate Britain’s Pre-Raphaelite exhibition, Sussex auctioneers John Nicholson (15% buyer’s premium) could hardly have picked a better time to offer a watercolour by George Price Boyce (1826-97) than at their March 17 sale in Fernhurst.

WITH a style, as one writer has put it, “sweetly intensified to a point where the world is reduced to a world of gossamer”, Annie French (1872-1965) was a Glasgow School artist who took the Art Nouveau idiom of Beardsley and Burne-Jones to new decorative extremes.

WITH a name like the Old Picture Palace, the former cinema in Matlock that is the newly acquired saleroom of the Derby auctioneers Bamfords (15% buyer’s premium) should be the sort of venue where the more traditional end of the art market should feel at home.

FIFTEEN or so years ago works by the likes of Helen Allingham (1848-1926) and the Stannards of Bedfordshire had the sweet smell of success all over them. However, in more recent times the general consensus is that watercolours of this genre, which I loosely describe as “roses round the cottage door”, have slipped from favour.

Illustrated in colour on the catalogue cover of Clevedon Salerooms’ March 4 sale was a watercolour described as being by Richard Parkes Bonington (1801-1828).

IN addition to technical excellence, decorative appeal and early date, sentiment is an important player in the sampler market.

WITH collectors’ taste in Modern British art shifting in recent years from pre-war to post-war, the once all-conquering Newlyn School has not generated as many headline-stealing results as it did in the late 1980s.

Scottish, Greek and Australian subjects gave a welcome international feel to the main highlights among the pictures offered on the third day of Gorringes’ (15% buyer’s premium) January 27-29 sale in Lewes.

WITHDRAWN from sale at the eleventh hour, a recently-discovered portfolio of late 18th century topographical watercolours of Canada have been sold by private treaty to Library and Archives Canada and the Musée national des beaux-arts du Québec.

Exceptional subjects still have the capacity to fetch exceptional prices, as the Bury St Edmunds auctioneers Lacy Scott & Knight (10% buyer’s premium) discovered when this unsigned and unattributed 19th century watercolour came under the hammer on September 20 with an estimate of £250-400.

A watercolour and drawings sale held by Bonhams on June 10 included a small group of E.H. Shepard illustrations from the estate of the late Jean Ames, who as Jean Gourlay had befriended the artist during the late 1930s and early 1940s, prior to his second marriage, and though the saleroom was non-committal on the matter, it is possible that these versions were specially made by Shepard for Miss Ames.

A secondhand bookshop in Glasgow and two Yorkshire dealers are celebrating a windfall of several million pounds after settling their dispute over the ownership of a lost cache of William Blake watercolours. The folio of 19 illustrations for Robert Blair’s poem, The Grave, one of the most exciting “finds” in art market history, have been sold through London art dealer Libby Howie, acting on behalf of an anonymous collector, for an estimated £4.9m.

A second hand bookshop in Glasgow and two dealers are locked in a legal dispute over the ownership of a lost cache of William Blake watercolours, valued at over £1m.

Golf has always been a subject that can have a dramatic effect on the price levels of artists who normally make little impact in the salerooms. Take the case of Frank Watson Wood (1862-1953), a Berwick-on-Tweed watercolourist who specialised in landscapes and marines, the best examples of which fetch around £1500 at auction.

WITH the Proms season now upon us it seems fitting that a portrait of the founder of the famous concerts, Sir Henry Wood, topped the pictures on offer at Bonhams Oxford (17.5% buyer’s premium) on June 25.

FRANCE: Millon & Associés (17.5/ 13.5% buyer’s premium) June 26 sale included two watercolours taken from an album of drawings by Eugene Delacroix, which the artist presented to Count Charles de Mornay on their return from Morocco in 1832.

It is believed that only two copies of Johann Simon Kerner’s Le Raisin, ses espèces et variétées… were completed, but then this German botanist did make it hard work for himself in choosing to illustrate it with original watercolours.

FELLOWS and Sons, the Birmingham auctioneers, have refunded the buyers of three watercolours sold as the work of Prince Charles last week after the pictures were revealed as forgeries.

Two small locally consigned lots provided the best seller and cover lot at the buoyant March 23 sale held by Michael J. Bowman (15% buyer’s premium) at Chudleigh Town Hall.

THE names of two women artists, one very well known, the other undeservedly obscure, provided talking points at two provincial sales in March.