Auctioneers

One highlight of a February 20 sale held in Italy was the handsome, armorially bound 1694 first edition of the Swiss born architect Carlo Fontana’s Templum Vaticanum.

With Bonhams the only one of the ‘big three’ in this market, other salerooms carve out a role...

Selling at $400,000 (£285,715), the original cover artwork for the 100th issue of Amazing Spider-Man comic led a recent three-day American comic and comic artwork auction that raised a total of around $7.2m (£5.14m).

London saleroom Chiswick Auctions has secured four significant pieces of European and British sculpture not seen on the market for at least a generation.

The Asian art sale at Chiswick confirmed that many of the better pieces of Chinese art are now well beyond the budget of the average western collector.

‘Rock Star’ of physics and Nobel Prize winner, Richard Feynman, habitually refused to sign copies of his books, telling his editor: “I’m not going to go on TV and I’m not going to sign any books!”

The run of recent six-figure auction sums in the English regions now includes Cheffins posting a house record in Cambridge.

Two stand-out collections containing Old Master and traditional British works on paper were offered within 24 hours of each other in Oxfordshire.

Artcurial has a large number of works on paper as part of its March 21 auction of Old Master and 19th century paintings and drawings at its Paris rooms, accounting for around 40% of the 195 lots.

A small soapstone figure of a grinning, reclining Buddha stole the show at Thomas Watson (24% buyer’s premium) of Darlington when it smashed its estimate of £80-120 to sell for £16,500.

A picture by Bloomsbury Group painter Roger Fry (1886-1934) drew strong bidding at Holloway’s in Banbury.

Christie’s has two dedicated drawings sales, one devoted to Old Master and 19th century works on March 21, the other to modern works on paper on March 22.

Sotheby’s has something special to offer for the Paris drawings fest – a single-owner collection formed by a dedicated couple that, say the auctioneers, is the fruit of a life dedicated to a passion for painting and drawings.

Flash from the past at the Diss rooms of TW Gaze (18% buyer’s premium).

A painting by the obscure Welsh artist James Dickson Innes (1887-1914) generated keen bidding at Essex saleroom Stacey’s (24% buyer’s premium) on February 26.

There is, of course, no shortage of works on paper to be found on sale at the Drouot auction centre either in the form of dedicated auctions or as sections within mixed-discipline sales.

Two opposing views on the big questions facing the trade… This week we ask two auctioneers about the best strategy regarding the positioning of the best lots in a sale.

A likely candidate as highlight of the year for Exeter auction house Bearnes Hampton & Littlewood (21% buyer’s premium) will be the £305,000 Hans Coper vase (ATG last week, No 2332).

This 23in x 2ft 7in (59 x 80cm) oil on canvas is attributed to Blanche Hoschedé-Monet (1865-1947), the step-daughter and daughter-in-law of Claude Monet.

Dwarfed as they were by the £440,000 oil of St John the Evangelist (see ATG last week, No 2332), a number of other lots helped to make Holloway’s (20% buyer’s premium) first major sale of the year in Banbury on February 27 an event to remember.