Kinghams

This bakelite and electroplated cocktail shaker is from the Master Incolor series made for sale at the Wilson and Gill on Regent Street in the 1930s.

Topping a 360-lot, £242,000 single-owner collection of Martinware and Moorcroft at Kingham & Orme (23% buyer’s premium) was a Robert Wallace Martin grotesque bird.

A selection of stand-out Islamic & Indian auction results.

Around the year 1904, during the Second Period of Belleek production in Fermanagh, Ulster, designer William Harris designed the Five O’Clock pattern.

Held over three pre-lockdown days on March 5-7, Evesham saleroom Kingham & Orme’s (23% buyer’s premium) auction was rich in the best of English and European decorative arts.

There was no shortage of desirable names among the 1370-lot Fine & Decorative three-day sale at Kingham & Orme (23% buyer’s premium), such as Charles Ashbee, Omar Ramsden, Lalique, Christopher Dresser and William de Morgan.

The sale at Kingham & Orme (20% buyer’s premium) in Evesham on December 6-7 included the second instalment of the remarkable Shennan collection of silver mustard pots, this time featuring examples made in the reigns of George IV to Victoria (1821-1901).

This small Gothic Revival beaker was made by ecclesiastical metal manufacturer John Hardman (Birmingham, 1848) at the height of the first partnership with AWN Pugin.

International interest at the Kingham & Orme (20% buyer’s premium) sale at Evesham on December 6-7 focused on René Lalique. A single-owner collection of the great French designer’s work attracted multiple phone and internet bidders from the US, the Continent and Russia.

Although the catalogue noted the rarity of a Queen Anne silver tazza and tankard having been together for more than 300 years, they were offered separately at Lawrences (25% buyer’s premium) of Crewkerne.

In the resilient Beswick market, collectors paid high prices for some rarities – even modern prototypes – at autumn sales.

Ceramics, furniture, glass and figure highlights from a range of sales under same banner.

The recent sale of a single-owner collection of Moorcroft pottery by Kingham & Orme in Evesham demonstrated two distinct faces of the Staffordshire factory.

No good library of British art pottery literature is complete without a copy of Paul Atterbury’s 'Moorcroft'. The jacket illustration alone with its myriad tube-lined miniatures in a bewildering range of forms and patterns is particularly memorable. More than one collector has attempted to emulate the beguiling display.

Iconic names in the worlds of glass and ceramics starred in Kingham & Orme’s (20% buyer’s premium) wide-ranging March 1 sale at Evesham.

In its short nine-sale history, Kingham & Orme (22% buyer’s premium) has experienced considerable success selling fans, 55 of which were included in the October 5-6 mammoth sale attracting bids from round the world. Many were of museum quality.