Germany

Fair organisers are not to be envied at the moment. Only at the beginning of September were the managers of the 'Highlights Fair' in Munich given the go-ahead for this year’s event (the 11th edition) which is opening its doors to the general public from October 22-25.

Joseph Fröhlich (1694-1757) was a well-known figure at the Saxon court from the late 1720s onwards. He was appointed court jester to Augustus the Strong in 1727 and held the position for three decades – perfect for a man whose family name translates as ‘happy’.

This handwoven tapestry by Czech designer and architect Josef Místecký (1891-1957) is offered at Galerie Ulrich Fiedler’s exhibition Textile Moderne, which features Avant Garde carpets and textiles by European makers.

Always likely to produce one of the sale’s best results, a 1798 first of Thomas Malthus’ 'Essay on the Principle of Population' duly led the bidding in a recent German sale.

This elegant pair of finely worked early Hellenistic gold bracelets featuring a rather sympathetic and graceful rendering of the snake-haired gorgon Medusa are believed to have been made by a courtly goldsmith workshop during the 4th-3rd century BC.

Included in the Asian art section of the Kendzia two-day sale in Hamburg on September 4-5 is this set of nine Kangxi blue and white plates painted with a design of a lotus pond with flowers and insects.

This Meissen porcelain teapot from c.1722 will feature in the sale series to be held by Hargesheimer of Dusseldorf from September 10-12.

A lifetime impression of The Fall of Man (Adam and Eve) – perhaps Albrecht Dürer’s (1471-1528) best-known engraving – has sold for a record €430,000 (£390,000) in Germany. The buyer was a British collector.

There is a phenomenon known in Germany as Ostalgie, which is a nostalgic feeling for the now defunct East German state (GDR).

There is absolutely no way that one can describe the decoration of a late 19th century Meissen ewer sold by Wendl (21% buyer’s premium) in Rudolstadt as restrained.

In his autobiography Georg Schrimpf described how he originally lacked the courage to become a painter and spent several years as a baker, a waiter and a coalman until he finally found the conviction to devote himself exclusively to art.

Two hundred eagerly awaited examples from Brockhaus collection generate suitable response.

Among the most important clients of the 18th century artist Pompeo Batoni was Domenico Orsini, Duke of Gravina, who went on to become Cardinal Domenico Amedeo Orsini d’Arago.

An oil painting by Alphonse Etienne Dinet from 1897 caused the greatest stir at a recent auction at Karl & Faber (25% buyer’s premium) in Munich.

Pictured here are five from a near-complete set of 41 polychrome terracotta figures of the Danse Macabre offered by Lempertz (25% buyer’s premium) in Cologne. They are typical of the work of Anton Sohn (1769-1841), who settled in Zizenhausen near Stockach in 1799.

A selection of early Continental silver from the 16th and 17th centuries was a notable feature of the Lempertz (25% buyer’s premium) decorative arts auction in Cologne.

At the 19th century international exhibitions, the Viennese silversmith Hermann Ratzendorfer (1845-94) gained a reputation for his mixed-media works in the neo-Renaissance taste.

Without the signature and dedication, this crayon and pencil drawing of 'Dorfhaus mit Baum und Randsteinen' (Village House with Tree and Rocks), coming up for sale at Neumeister in Munich on July 16, would be virtually impossible to attribute to its creator.