Art Market

'Only Banksy' was the title of a 24-lot offering at Forum Auctions (30/24/15% buyer’s premium inc VAT) in London.

Among the Modern British prints generating interest at auction this summer was a copy of Edward Bawden’s (1903-89) linocut 'The Road to Thaxted'.

Two portraits and a shipping scene by the Newlyn School artist were consigned from three different sources

Regular followers of the modern Welsh art market will know that strong competition at Rogers Jones’ (24% buyer’s premium) specialist Welsh sales normally comes for an artist called Williams.

A dedicated sale of 117 lots from the collection of the late Teesside art dealers and Staithes Group specialists Tom and Rosamund Jordan was held this summer at Tennants (24% buyer’s premium) in North Yorkshire.

One of the better performing ‘manner of’ pictures of late was a landscape very much in the style of the great French Baroque painter Claude Lorrain (1600-82).

Trio of works by the Hungarian artist underlines the appeal of portraits as conversation pieces

When it comes to portraits produced by Frank Owen Salisbury (1874-1962), values are frequently determined by the fame of the sitter.

Since the 1960s, birds have been the main subject matter of New Zealand artist Raymond Ching (b.1939).

With the traditional hiatus in the UK auction market typically stretching across the month of August, a number of notable picture highlights appeared slightly earlier this summer at sales around the country.

Coastal scene formerly owned by collector in the diamond mining industry attracts considerable interest

What’s best to do with unsold lots… offer them again at half the price guide perhaps?

The artist Richard Ernst Eurich (1903-92) is rather hard to categorise.

Testing the market for still-lifes by Bloomsbury school favourite Duncan Grant (1885-1978), a painting by the artist emerged fresh from a notable source in Somerset.

Trial run for a full worked-up version counts as a highly sought-after picture in its own right

When it comes to historic views of England’s university cities, bidders’ interest is not only determined by the usual factors such as the calibre of the artist and the picture’s condition.

Strong results and supply boost the market but challenges remain with bidders highly selective

Works coming fresh to the market from British aristocratic sources were once a staple of London Old Master sales.

The presence of a cat added commercial appeal to a 17th century portrait of a young girl offered at Bonhams’ latest Old Master sale in London.

Founder of London gallery Agi Katz had personal experience after escaping from persecution herself