Auction Reports

The Patriotic War of 1812 stirred up powerful feelings of national pride in Russia.

Pleased as the vendors were to be told by Gloucestershire auctioneer Martin Lambert that a 1920s trunk from their late parents’ home could be worth £2000, they were happier when pre-sale interest in Tayler & Fletcher’s recent sale brought a revised estimate of £2500-4000.

Pieces from the late 19th century, a vibrant but occasionally derided moment in the history of the decorative arts, provided many of the highlights to Sworders’ summer Fine Interiors sale in Stansted Montfitchet.

As a reminder of the days when a piece of quality furniture could be expected to top a wide-ranging provincial sale, a George II giltwood and gesso occasional table led the way at Dawson’s (20% buyer’s premium) 550-lot event in Maidenhead.

The demand for 1960s Pulcini glass birds made by Alessandro Pianon (1931-64) for the Venetian company Vistosi has spiked in recent months.

An “extremely rare” grouping of military items including a British 1899 issue leather hobnail boot with a shrapnel hole sold for £6500 at a Buckinghamshire auction on July 3.

Two musical boxes catching the eye and ear among the small vertu sections at summer silver sales.

Combining fine 18th and 19th work by major silversmiths with rarities of scholarly interest, the comprehensively catalogued silver sale at Chiswick Auctions (25% buyer’s premium) appealed to specialists across the market spectrum.

Racing along to a double-estimate £2400, this tinplate clockwork Tri-ang Magic Midget made by Line Bros in 1933, led the field at the 450-lot toys sale at Gildings (15% buyer’s premium) in Market Harborough on June 24.

Art and romance from 19th century Italy, industrialised agriculture from England – two national stereotypes were honoured in triplicate at the Canterbury Auction Galleries (20% buyer’s premium).

The story of Cornish care worker Jordan Rogers, who proved he was the illegitimate son and legitimate heir to a £50m Penrose mansion, made national headlines in May. It also had a knock-on effect in the auctioneering world.

In market terms, ecclesiastical gates are not the subject of mass appeal but examples by major 19th century designers certainly had their devotees at two June sales.

Catalogued as a ‘tin glazed hand painted Chinese vase – 17in (42cm) tall’ and estimated at £50-80, a late 17th century Kangxi period famille verte porcelain vase of waisted trumpet form sold on June 22 for a healthier £12,000 – 150 times the top estimate.

This silver tennis bangle, below, triggered a classic singles match at auction.

Scantily catalogued as a Georgian/Victorian micro-mosaic plaque depicting a dove, a classic example of the pieces produced by Italian craftsmen and beloved by wealthy Britons on the Grand Tour was equally appreciated by bidders at Stroud Auctions (18% buyer’s premium).

Top-seller at Richard Edmonds’ (20% buyer’s premium) latest specialist motoring accessories sale was a hanging lightbox proclaiming the virtues of Pratt’s Perfection Spirit.

No good library of British art pottery literature is complete without a copy of Paul Atterbury’s 'Moorcroft'. The jacket illustration alone with its myriad tube-lined miniatures in a bewildering range of forms and patterns is particularly memorable. More than one collector has attempted to emulate the beguiling display.

A sale with multinational appeal – and a baroque revival cabinet spared from Rentokil.

Italy – or more specifically Sicily – came up trumps for Stamford auction house Batemans (20% buyer’s premium) in the form of this 4½in (11cm) carved coral and copper-gilt urn and cover.

In the 1950s French designer Raymond Cohen and his firm Cohray were producing a range of ultra-modern furniture that – although made for the machine age – were all put together by hand.