Features
Privateer tribute forms the earliest piece of documentary Lowestoft
20 March 2023A broad mix of English and Continental pottery and porcelain was on offer in the latest dedicated ceramics sale held by Woolley & Wallis (25% buyer’s premium) in Salisbury, a fair slice of it contributed by single-owner collections.
Stellar results from White Star liner designs
20 March 2023Chipped to both elements, a Spode cup and saucer made for use on White Star liners sold online for £6000 at Richard Winterton (22% buyer’s premium).
Rowlandson’s comic characters in ceramics style
20 March 2023Estimated at just £50-80, a rare Staffordshire figure group sold online for £3000 at Clarke’s (25% buyer’s premium) in Semley, Dorset, on February 10.
Marvellous Marshall vase emerges at Thomson Roddick
20 March 2023At his best Mark V Marshall can give his one-time employer Robert Wallace Martin a run for his money
Horsup in shot for Tatler
13 March 2023Jewellery and vintage accessories dealer Gillian Horsup is in demand – not just for her sparkling gems and handbags, but for her modelling credentials.
Falize’s sense of gothic timing
13 March 2023This 7½in (19cm) high carriage clock in a fanciful gothic revival taste is stamped to the base AF, probably for the renowned Parisian jeweller and goldsmith Alexis Falize (1811-98).
Great and the good connected in a collar
13 March 2023This Victorian 18ct gold, enamel and gemset collar tells a fascinating story of a well-known aristocratic family.
Whimsical tale of VCA’s missing Precious Puppy
13 March 2023Here is a heart-warming story for all admirers of retro canine-themed jewels. Yes. The lost puppy has been found.
London jewellery firm Symbolic & Chase expands
13 March 2023Symbolic & Chase is expanding its Old Bond Street premises from two to three floors with an opening scheduled for late April
Jewellery: Why Georgian paste is bringing some surprising sums
13 March 2023Once dismissed as mere costume jewellery, Georgian paste is an art form in its own right with prices to match
Blue is the colour, natural is the game
13 March 2023Myanmar (Burmese) sapphires, renowned for a deep blue colour, are highly prized for reasons of scarcity, quality and history
Robin’s favoured motif was the owl
13 March 2023This set of four French gold and ruby buttons, c.1880, modelled as owl heads are thought to be the work of Paul Robin.
Romantic ring that is ‘so much more than the sum of its parts’
13 March 2023A hugely romantic 18th century enamel, ruby and diamond ring sold for £16,000 at Woolley & Wallis (£25% buyer’s premium) in Salisbury on February 1-2.
Mourning rings: Remembered in gold and enamel
13 March 2023A collection of Georgian gold and enamel mourning rings with aristocratic pedigrees comes for sale at Woolley & Wallis on April 20.
A chip off the old block of the Needle
13 March 2023This relatively modest pair of gold and of granite dress studs tell a good story.
Signet rings receive seal of approval
13 March 2023For many years signet rings served a very practical as well as a decorative and symbolic function.
Silver: No longer the last days of the Raj
06 March 2023A once neglected aspect of the silver market received a showpiece sale in February. ATG reports on the Stewart collection of Anglo-Indian silver from the Raj period.
Christopher Dresser: ‘I propose three feet formed as to serve as handles’
06 March 2023Dr Christopher Dresser’s conical sugar bowl with three angled leg-like supports is one of the great ‘eureka’ moments in Victorian design.
The exotic appeal of coconuts and porcelain
06 March 2023Cups with coconut bowls mounted in silver or silver-gilt were fashionable rarities in western Europe throughout the 16th and early 17th century. At the time the coconut was, like other ‘exotics’ such as nautilus shells or imported pottery and porcelain, held in high esteem.
Ashbee’s decanter revisited by Guild
06 March 2023The quasi-medieval silver and glass ‘claret bottle’ designed by Charles Robert Ashbee for the Guild of Handicraft is one of the great pieces of the Arts & Crafts movement. Ashbee mentions it in his 1909 book Modern English Silver, saying: “The shape is taken from an Elizabethan sack-bottle found when digging the foundations of [my home] the Magpie and Stump in Chelsea.”
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