Pick of the Week

In 1592, the Florentine stone carver Cosimo Castrucci (fl.1576-1602) was called to the imperial court in Prague by Rudolph II.

An item of local interest to bidders at Bamfords in Derby was this 18th century account book for Radbourne Hall, the seat of the Chandos-Pole family.

Two pieces by ‘Glasgow Four’ artists Charles Rennie Mackintosh (1868-1928) and Frances Macdonald McNair (1873-1921) topped Lyon & Turnbull’s Decorative Arts: Design since 1860 auction on November 2-3.

As referenced in an inscription to the opening folio, this early 19th century manuscript – offered at Roseberys in south London – was produced for the Nawab of Sachin, Ibrahim Muhammed Yakut Khan I Bahadur (r.1802-53).

Relatively little is known about the 19th century woodcarver Francesco Toso, who was born in Murano, Venice, to a family of glass makers.

A Rowland Ward replica of a great auk – the flightless seabird that became extinct in the mid 19th century – sold at auction in Gloucestershire for £25,000.

Paintings by leading British sporting artists went under the hammer for the first time in over 100 years at Cheffins in Cambridge on October 1.

The invention of the gauger’s slide rule in the 1680s is generally credited to one Thomas Everard of Southampton.

An 18th century Beijing-enamel wine pot and cover described as the ‘ultimate lockdown find’ has sold for £390,000 at auction in Derbyshire.

Economic stimulus packages are not a new phenomenon. Georg Siegmund Stobwasser (1717-76) was among the many craftsmen attracted to the Brunswick by the special privileges granted them in the city by Duke Karl I (1713-80) in the wake of the Seven Years’ War.

A cache of material related to the influential Victorian poet Elizabeth Barrett Browning (1806-61) and her family sold for close to £50,000 at Lawrences of Crewkerne.

While most early Scottish spoon types follow closely known and comparable patterns from England or mainland Europe, the ‘disc-end’ is an exception. Made for perhaps a century from c.1580, it is a form seemingly unique to Scotland.

Matthias Buchinger (1674-1740), the so-called ‘Little Man of Nuremberg’, was just 2ft 5in (74cm) tall. Born in Ansbach without legs and having truncated arms without fingers, he nonetheless excelled at many occupations associated with physical dexterity.

A lifetime impression of The Fall of Man (Adam and Eve) – perhaps Albrecht Dürer’s (1471-1528) best-known engraving – has sold for a record €430,000 (£390,000) in Germany. The buyer was a British collector.

A record price of £10,200 was paid last month for a pen and ink sketch by fell-walking legend Alfred Wainwright at 1818 Auctioneers of Milnthorpe, Cumbria.

This 8 x 10in (21 x 25cm) oil on canvas board sketch of two farmhands cutting grasses with a scythe is unsigned but it carries a label on the back from an Ipswich Borough Council exhibition which identifies the artist as Harry Becker (1865-1928) and the picture’s title as Fieldworkers in Mid-Summer.

The highlight of Bonhams’ rescheduled sale of Indian and Islamic art held on June 11 was a group of a nine Company School watercolours with an unbroken provenance back to 1812.

In 1765 the engineer and entrepreneur Matthew Boulton (1728-1809) visited Paris, where he observed first-hand the workshops of bronziers and the wares that were proving hugely popular with Georgian Britain’s elite.