Scotland

One of the unforeseen consequences of the arrival of Enlightenment philosophy in Puritan Scotland was the creation of clubs and societies that encouraged exuberant and outrageous behaviour in their members. The best known is the Beggar’s Benison.

And now for something completely different...A high-rise flat on the outskirts of Glasgow is not the place one would expect to find works of art by the celebrated firm of Fabergé but that was the origin of the finely crafted photograph frame, right, offered on September 26 by Glasgow auctioneers McTears (15% buyer’s premium).

THE Edinburgh firm of Shapes’ (15% buyer’s premium) September 6 sale of the contents of Glencruitten House, Argyll, the former country home of the Dundee venture capitalist, Alexander Mackay, was one of those rare opportunities for dealers and private individuals to buy paintings and prints by sought-after artists that, in a number of cases, were bought directly from the artists and had never been offered for sale before.

Edinburgh-based auctioneers Lyon & Turnbull are set to expand out of Scotland, having made appointments in London, Devon and Newcastle. The bold move – claimed as a first for a Scottish auction house – comes close to the fifth birthday of an ambitious vision that has grown into a £5m business.

Monart glass specialist and collector Ian Turner is a familiar name to many in the trade, having devoted the last two decades to buying and researching this vividly coloured 20th century Scottish art glass. In addition to building a 260-piece collection, he has also contributed to several books including Ysart Glass, edited by Frank Andrews, 1990.

The snuff mull is one of the most common Scottish silver forms – but shown here are three examples that proved a few cuts above the norm. Top right: favourite Victorian entry at Bonhams’ Scottish Sale was a ram’s head table snuff mull by Mackay & Chisholm of Edinburgh, 1880.

The extraordinary walnut and burr walnut veneered hexagonal display table, right, combining the talents of three well-known names of the Scottish design movement will carry an estimate of £7000-10,000 when Shapes sell the contents of Glencruitten House, near Oban from their Edinburgh saleroom on September 6.

SCOTTISH provincial silver is one of the only consistently strong areas of the silver market and, if recent sales in Edinburgh are anything to go by, Banff silver is what everyone wants.

CLUBS: A ROCKY ride perhaps, but Lyon & Turnbull certainly had the best selection of clubs this year and the one real ace to give the market a fillip – a long-nose baffing spoon by George Daniel Brown of Blackheath and St Andrews, c.1850-60.

EDINBURGH dealership Georgian Antiques celebrate their 25th anniversary this September and to mark the occasion partner John Dixon will be available for the whole month for free valuations of furniture and other antiques at their warehouse at 10 Pattison Street, Leith Links.

WITH interest in Arts and Crafts and The Celtic Revival resurgent, particularly in Scotland, expect a keen reception for an exhibition to be mounted by the prominent Scottish Arts and Crafts specialists Decorative Arts at Doune.

ONCE again Fran Foster of Centrex, the Birmingham NEC’s organising arm, has proved there is plenty of fair business in Scotland if the quality and mix of stock is right. Her fourth Antiques For Everyone – Glasgow, held at the Scottish Exhibition and Conference Centre from June 20 to 22, proved a success for the great majority of the 80 or so exhibitors and it was commented upon that this Scottish fair has outshone many events further south.

The Scottish Tourist Board has given Rait Antiques Centre a much-coveted three-star Tourist Shop Award under the Board’s Visitor Attraction Grading Scheme.

A NEW association has been launched in Scotland in the hope of providing a united voice for dealers north of the border. The Scottish Antique & Fine Art Dealers Association is the brainchild of Sandra Patterson (the wife of an Ayrshire dealer) who hopes to address the unique challenges faced by Scottish dealers.

FOR decades it baffled many that Scotland could not host a major, vetted quality antiques fair of any size, but that changed in 2000 when Fran Foster of Centrex, the organising arm of Birmingham’s National Exhibition Centre, took her successful Antiques For Everyone formula to the Scottish Exhibition and Conference Centre and launched Antiques For Everyone – Glasgow.

EDINBURGH auctioneers Thomson, Roddick & Medcalf (15% buyer’s premium) dispersed 532 lots at their Edinburgh saleroom on March 15 and auctioneer Sybelle Medcalf felt the market held up pretty well considering the international climate.

ALTERNATIVE investment might be too strong a word for it, but the current desperate state of returns in the stock market and other investment areas does seem to be having a positive effect at art sales, at least in Scotland.

For a Scottish antique, no provenance is more guaranteed to stir the blood than a connection, however tenuous, with a romantic outlaw. At Lyon & Turnbull’s sale on 26 March the link was Rob Roy McGregor, or at least the cattle rustler’s loyal kinsman and Glasgow magistrate Baillie Nicol Jarvie.

FROM April 10 to 13 the Glasgow Art Fair, the largest contemporary art fair outside London, will run for its eighth year in its pavilions in George Square in the heart of the city.

A secondhand bookshop in Glasgow and two Yorkshire dealers are celebrating a windfall of several million pounds after settling their dispute over the ownership of a lost cache of William Blake watercolours. The folio of 19 illustrations for Robert Blair’s poem, The Grave, one of the most exciting “finds” in art market history, have been sold through London art dealer Libby Howie, acting on behalf of an anonymous collector, for an estimated £4.9m.