South-west England

THE WEST Country is not the antiques wilderness it is sometimes painted but a relatively sparse population means that auctioneers cannot simply rely on local solicitors to provide the deceased estates. Networking the landed gentry at cocktail parties or hunt meetings is part of the social round for any flourishing local auctioneer and such contacts regularly pay dividends for Duke’s rooms in Dorchester.

CYPRESS wood was more commonly used for coffins than coffers in medieval times, but this Charles I example, right, showed why the Mediterranean hardwood was a popular medium for domestic furnishings.

“Full of fire and and zealous faculty breaking its way through all conventionalism to such truth as it can conceive” – thus was the forthright opinion of John Ruskin on seeing George Tinworth’s collection of eight terracotta panels of biblical scenes at the 1875 Royal Academy Exhibition.

In the portrait miniature market the sitter is considered less important than the painter – but sometimes even a famous artist like Henry Bone, enamellist to the Prince Regent and the author of this miniature, right, can be superseded by their subject.

Searching for the perfect piece of passementerie or some furnishing fabric to add the finishing touch to an interior? It’s worth checking out Sotheby’s two-day sale from H.W. Keil Antiques which takes place in Cheltenham next week on July 15 and 16.

UK: The Fine Art Auction Group have added to their network of regional salerooms with the acquisition of Taylor’s of Honiton in Devon.

This vase may have come from relatively humble surroundings but the London trade had no doubt that it was fit for a king. The 18th century blue ground imperial vase, 133/4in (35cm) high, was offered at Bearne’s, Exeter on July 2.

Following hot on the heals of a gold cased pocket watch which took £25,000 Sherborne auctioneers Charterhouse (15% buyer’s premium) found further horological success on May 31 with this early 19th century carriage clock, right.

Brown furniture has proved hard to shift at auction in recent months but the success of this George I burr walnut chest on stand offered at the Bristol Auction Rooms on June 18 may signal the tide is turning.

Helped by a £17.425m grant from the National Heritage Memorial Fund – the largest sum it has ever given – the National Trust announced last week that it had bought Tyntesfield, a Victorian neo-gothic country house near Bristol.

The German painter Hans Purrmann (1880-1966) is described by Bénézit as an artist who was heavily influenced by Matisse (with whom he had contact in Paris from 1906-1914), but who lacked the greater artist’s “sense de lumière et de la couleur”.

Major photograph sales are usually confined to London and New York salerooms, but since selling the Earl Craven family archive of daguerreotypes last year Bearne’s of Exeter (buyer’s premium 15 per cent) are now on the international circuit.

PRE 1921 the Poole pottery firm, one of the most innovative of the 20th century British potteries, was known as Carter & Co. Headed up by Jesse Carter, the firm produced very few domestic wares focusing instead on tiles and architectural and garden ceramics.

Furniture and pictures can usually be relied upon to bag the biggest prices in provincial auctions but while this was so at Bristol Auction Rooms April sale there were also interesting works in some of the other sections.

This gold pair-cased pocket watch was brought into the offices of Charterhouse auctioneers of Sherborne, Dorset in a plastic carrier bag – albeit a Harrods bag – by a vendor who had kept it in his sock drawer for many years.

SOLD at £1200 to Jarndyce in this sale of photographs, historical documents, autographs and ephemera was an 1838 manuscript of The Student, a play by Frederick Bate.

“It was like the 1970s all over again,” said John Benjamin of Woolley and Wallis, describing the breadth of quality at his jewellery sale in Salisbury on April 24-25.

ROBERT Lenkiewicz, one of Britain’s most controversial artists, has been burgled for the third time in five weeks in what is widely believed to be a ‘stolen to order’ theft.

HAMPSHIRE organiser Valerie Sleeney of Grandma’s Attic Fairs holds the first staging of the year of her flagship event at The Pavilion Ballroom, Bournemouth on April 27 and 28.

Limoges enamel has its English equivalent in the rustic little boxes produced by artisans in the South Staffordshire towns of Bilston and Wolverhampton during the late 18th century.