Chinese Works of Art

IT IS ten years since well-known dealer Richard Gardner moved into Petworth, West Sussex. Today, even in a town known internationally as one of the most notable concentrations of antiques trading in the South of England, Mr Gardner can certainly be said to have made his mark.

A QUALITY furniture grouping and a small, but strong, Oriental section contributed to the upbeat performance of Halls (15% buyer's premium) 258-lot sale on July 14, the top lot of which, a £24,000 George III mahogany longcase, was illustrated on the front cover of Antiques Trade Gazette No. 1650 dated July 31 and August 7.

DEALERS are, traditionally, very secretive about their restorers, whose services are probably the most vital of any to the trade, and seldom do top restorers cross over and become dealers.

IT is frequently the unusual and the decorative that the market craves today. The ‘peach’ of the sale conducted by Kidson-Trigg (15% buyer’s premium) of Highworth, near Swindon on July 22 was certainly both, a group of 14 painted and carved wood and gesso models of fruit, pictured right.

WITH London hosting Asia week, Olympia and Grosvenor House in June, there was always going to be a trade battle for a Chinese vase which proved the sleeper of Charterhouse's (15% buyer's premium) 870-lot May 21 auction.

AUCTIONS are often the best way of settling whether a work is genuine or not. Of the speculative entries in Christie’s South Kensington’s 584-lot sale on June 11, most were contested by Hong Kong and mainland Chinese dealers. Before the sale, trade and auction specialist opinion was divided as to whether this 10 1/2in (27cm) high blue and white vase (shown right) was a Yongzheng (1723-35) mark and period vessel or a 19th/20th century copy as catalogued.

IF the Toguri collection’s £600,000 black and white baluster vase was a masterpiece of Cizhou art, the size, detail and ingenious use of the stone’s natural inclusions make this monumental black and grey water buffalo, offered in Sotheby’s Bond Street’s 127-lot mixed owner outing on June 9, a master class in jade carving.

THIS wucai dragon jardinière, third right, entered together with three routine pieces of 17th and 18th century Chinese blue and white (pictured with it), with pre-sale hopes of £900-1300, proved a sleeper and was the focus of an intense bidding battle between Hong Kong, Taiwanese and mainland Chinese dealers at Sotheby’s Olympia’s 387-lot outing on June 10.

PROFESSOR Edward T. Hall (1924-2001) was a born collector, amassing over a million cigarette cards as a schoolboy at Eton College and later building a celebrated collection of clocks and scientific instruments that was sold at Christie’s King Street last July.

Pictured right is the highlight of what turned out to be London’s Asia Week’s most successful auction.

AN 18-strong offering of Chinese jades at Woolley & Wallis' (17.5% buyer's premium) May 25-26 sale, including this pale green, reticulated vase and cover, right, had emerged from an old South-of-England collection consigned via a fine art agent in Chichester.

SCATTERED amongst the colourfully decorated but fairly routine European-taste 18th century famille verte and famille rose bowls, plates and tea services that comprised the bulk of Christie’s King Street’s (19.5/12% buyer’s premium) 214-lot European collection of Chinese Export ceramics on May 11 was a handful of more unusual entries for which buyers paid a premium.

THERE is nothing like a modestly estimated, old English collection of Chinese art to lure London’s specialist trade to the provinces.

INEVITABLY fairs dominate June in London but there is also much activity in the galleries and showrooms with dealers taking advantage of the influx of serious collectors and trade into the capital.

MAYFAIR dealers in things tribal, unusual and exotic, the Gordon Reece Gallery, are currently holding one of their periodic selling exhibitions of antique Chinese furniture at 16 Clifford Street, W1.

THE Orient provided the most eye-catching highlights at Rupert Toovey's (15% buyer's premium) March 17-19 sale, in the form of a set of four Japanese Satsuma plates signed by Kinkozan and an 18th century Chinese bamboo carving.

THE Bonhams empire has embraced the notion of niche markets in pragmatic fashion, each of the various outposts having its own speciality – while the Scottish branch, which sells across the range of the market, breaks its sales into single specialist offerings. On March 18 Bonhams Edinburgh (17.5/10% buyer’s premium) offered 375 pieces of jewellery and silver with the following day’s sale comprising 198 items of Asian art, ceramics and glass.

THERE may be a long-established tradition of collecting Chinese ceramics and works of art in the West, but the highly specialist knowledge of the language and culture required to appreciate Chinese painting from anything more than a decorative point of view means most serious collectors and dealers are based in the Far East.

ONE of the most acclaimed exhibitions of the late March Asian Art Week in New York was London dealers’ Rossi & Rossi’s show Styles from the Steppes: Silk Costumes and Textiles from the Liao and Yuan Periods.

TWO albums of 19th century Chinese photographs assembled by a British diplomat sold for £5200 in a general antiques sale held by Sworders at Stansted Mountfitchet, on March 30.