Adam's

A special focus on stand-out lots in decorative art & design auctions coming up this month.

As with fellow Dublin saleroom Whyte’s, Adam’s (25% buyer’s premium inc VAT) latest Irish art sale was led by a Paul Henry.

Three modestly valued works selling at regional sales including a Harry Clarke.

A sensitive portrait of a First World War soldier by the Irish painter William Orpen (1878-1931) was among a series of valuable lots chased by bidders at art sales in Dublin.

A collection of Irish glass built in the 1930s by artist Jean (Musgrave) Jameson was topped by a pair of c.1800 flat-cut urns and covers Adam’s (23% buyer’s premium) of Dublin.

Cubist work by often-overlooked artist fuels keen bidding before heading to California.

The Patriotic War of 1812 stirred up powerful feelings of national pride in Russia.

Irish art market makes a sedate journey back to strength as local buyers dominate.

Our weekly selection from salerooms and dealerships.

Deemed a little ostentatious in some circles, tiaras have enjoyed a surge in popularity in recent years, particularly in Russia and the Baltic states where jeans and a diamond fascinator are de rigueur at informal high-society events.

The influx of Asian art buyers that accompanies the Asian Art in London initiative also encourages activity across the Irish Sea. Both Adam’s (20% buyer’s premium) in Dublin, for the first time, and Sheppards (20% buyer’s premium) in Durrow held designated sales on November 3 and November 11 respectively.

By the 1950s, as the global economic landscape improved, luxury was making a comeback and so too was the prolific use of diamonds in the jewellery of France’s premier ateliers.

“It was a great deal of work,” said Adam’s (20% buyer’s premium) managing director James O’Halloran of the operation involving the removal of 700 lots – including the ‘Armada Table’ and other massive pieces – to the Drogheda stately home venue of Townley Hall for sale.

Representing just a fraction of the international art market and often overshadowed by the demand for 2D art, Irish sculpture has undergone a quieter recovery.

While demand is encouraging, a scarcity of high-quality work is hitting the supply side