Adam's

Among the auction houses showing works at the Pagoda will be Irish firm Adam’s, previewing its two Asian spring sales taking place in Dublin on June 28-29.

Auction figures for firms outside London show a shake-up of the status quo

Multi-estimate bidding is no longer just the preserve of Chinese works of art. During the recent Asian art sales, Vietnamese market objects excelled.

The market for Chinese furniture has come on leaps and bounds in 20 years.

Leading the latest Irish art sale at Adam’s (25% buyer’s premium) was a small work by market stalwart Jack Butler Yeats (1871-1957).

The frame to this Irish mahogany day bed with its bold paw feet and eagle uprights bears both the Strahan name and number stamp as well as an original paper trade label.

The École des Beaux-Arts de l’Indochine was essentially a French art academy in Vietnam.

Adam’s Asian art sale in Dublin on November 23 includes this landscape titled Sunset Kanchenjunga by Jamini Prokash Gangooly (1876-1953) estimated at €4000-6000.

Combining technical mastery with recurring motifs derived from nature, Pierre Sterlé’s (1905-1978) style is instantly recognisable.

Among a glut of upcoming single-owner collections on offer from Scottish and Irish salerooms, Glasgow firm Great Western Auctions will sell items from the estate of curator, dealer and writer William ‘Bill’ Hardie (1941-2021) later this month.

Bidders deem Yongzheng Guan ware to be of the period as estimate is demolished

A classic west of Ireland landscape by Paul Henry (1877-1958) was among the top-sellers at the latest round of Irish art sales in Dublin.

Georgian silver bow corkscrews by Dublin makers are rare beasts and appeal to both silver collectors and helixophiles.

A special focus on stand-out lots in decorative art & design auctions coming up this month.

As with fellow Dublin saleroom Whyte’s, Adam’s (25% buyer’s premium inc VAT) latest Irish art sale was led by a Paul Henry.

Three modestly valued works selling at regional sales including a Harry Clarke.

A collection of Irish glass built in the 1930s by artist Jean (Musgrave) Jameson was topped by a pair of c.1800 flat-cut urns and covers Adam’s (23% buyer’s premium) of Dublin.

A sensitive portrait of a First World War soldier by the Irish painter William Orpen (1878-1931) was among a series of valuable lots chased by bidders at art sales in Dublin.

Cubist work by often-overlooked artist fuels keen bidding before heading to California.