Brussels Fairs

BRAFA Art Fair, Brussels’ major international art and antiques show, is one of the earliest events in the European fairs calendar.

With so many tribal art galleries concentrated in Brussels it is no surprise to find 10 specialists in the field showing at BRAFA, six of them from the Belgian capital.

Another returning BRAFA exhibitor is the Paris dealer Xavier Eckhout, who specialises in animalier sculpture from 1880- 1950.

BRAFA is a big draw for the visitor in late January but as well as enjoying all that Brussels has to offer in general cultural terms there are other art and antiques-related events on at the same time.

Among the numerous dealers at BRAFA showing early works of art is Brussels’ Gallery Desmet, which specialises in sculpture and objects ranging from Antiquity to the Grand Tour.

Whitford Fine Art from London is a long-standing BRAFA stalwart (understandably given that the gallery’s core stock is work by 20th century Belgian and international artists).

Finch & Co from London has been showing at BRAFA for 12 years. “We regard it as one of the most successful and well-organised art and antique events in Europe,” notes the firm’s Jan Finch.

One of the attractions of BRAFA, the Brussels art and antiques fair which is traditionally a new-year opener in continental Europe, is its breadth. This is not a specialist event: it concentrates on quality across a range of disciplines.

One of the longest-standing events in the tribal art dealing fraternity takes place this month in Brussels, a key centre of the tribal art market.

The picture dealer element of BRAFA is substantial, but increasingly these days the emphasis is on works from the 19th century onwards, be they Impressionist and modern or post-war and contemporary art.

Brussels gears up for its major art and antiques fair this month with the latest edition of BRAFA.

While BRAFA understandably dominates much of the cultural headlines during this period, it is not the only show in town.

BRAFA has long been a fair with a speciality in early (medieval and Renaissance) works of art, which is something that dates back to the years when it was a Belgian National fair in the city centre. It thus serves a venerable collecting tradition drawing in buyers from the local area and further afield.

Tribal art has long been a Belgian speciality due to the country’s colonial history in Africa. So it is not surprising to see this area well represented at BRAFA, with around a dozen participants in this field hailing from Paris, Brussels and as far away as Montreal.

Antiquities is one of BRAFA’s strong suits in terms of exhibitor volume. Around 10 specialists in this field are standing, plus a number of others that mix antiquities with, for example, Asian art.

Some of the works on offer at BRAFA are simply too quirky to fit into any time-honoured collecting category, but they are often responsible for creating an eyecatching draw to a particular stand.