Canterbury Auction Galleries

When auctioneer Tony Pratt spotted a mysterious shape in the undergrowth of a back garden in Hythe he wasn’t expecting to uncover a very large pottery bear.

This rare American scene by noted railway painter Terence Cuneo (1907-96) turned up at Canterbury Auction Galleries (20% buyer’s premium) in Kent.

Art and romance from 19th century Italy, industrialised agriculture from England – two national stereotypes were honoured in triplicate at the Canterbury Auction Galleries (20% buyer’s premium).

Works by Namikawa Yasuyuki underline how buyers are aiming at the very best when it comes to the Japanese market ahead of a series of UK sales.

Two single-owner collections built up over lifetimes were well received at Canterbury Auction Galleries (20% buyer’s premium) on February 5-6.

The owner of an 18th century double-manual harpsichord, the only one of its type known to exist, has been temporarily prevented from exporting it in the hope a UK buyer can be found.

On the market for the first time in at least 60 years, and in some cases for more than a century, a small collection of 17th and 18th century silver accounted for a fraction of the lots but 20% of the total at the two-day winter sale at Canterbury Auction Galleries (24% buyer’s premium).

Work by the community of mid-20th century painters in Essex known as the Great Bardfield Artists fetches strong sums on the secondary market.

ATG’s selection of auction lots bought by internet bidders on thesaleroom.com from the period October 4-11, 2018. This includes both the highest prices over estimate and the top prices paid online.

For a Communist tyrant, Joseph Stalin remains remarkably popular in the capitalist world of UK auctions – the latest evidence provided by a rare cast bronze death mask offered at Canterbury Auction Galleries (24% buyer’s premium).

Putting a third major collection of highly specialist and highly priced material onto the market within little over three years might seem to be asking too much of a limited number of wealthy enthusiasts.

Not, perhaps, the face modern eyes would immediately think of captivating an emperor, but this porcelain plaque portrait of Napoleon’s first wife, Josephine, was one of a number of major attractions at Canterbury Auction Galleries’ (24% buyer’s premium) Spring Sale.