Canterbury Auction Galleries

With Storm Ciara getting under way (in pre-coronavirus days…) it was not, perhaps, the ideal time to launch the new weekend sales at Canterbury Auction Galleries (20% buyer’s premium).

Battered and dust-engrained when found in a basement during a Lake District house clearance, an early unsigned brass lantern clock generated great excitement at Penrith Farmers’ & Kidd’s (18% buyer’s premium).

The near dominance of Scandinavians among mid-20th century designers of wood furniture and artefacts was underlined at two sales at Chiswick Auctions (25% buyer’s premium) in February.

An atypical visitor to a recent sale at Canterbury Auction Galleries (24% buyer’s premium) was a Norwegian silver gilt brudekrone dating from the late 18th or early 19th century.

Paintings by Leeds-born artist Louis H Grimshaw (1870-1943) are often overshadowed by his better-known father, John Atkinson Grimshaw (1863-93).

Guangzhou bracket example leads a selection of stand-out timepieces sold in the regions.

While individuals and pairs from the suite of five bronze cricketers by Joseph Durham (1814-77) are occasionally seen on the rostrum, it is rare to find all five appearing together.

Ceramics, furniture, glass and figure highlights from a range of sales under same banner.

American naval expertise and gallantry came as a big shock to the British, who had become used to the Royal Navy ruling the waves.

Amassed by one of the longest-serving members of the MCC (Marylebone Cricket Club), a group of cricketing lots notched up a number of auction highlights last month.

A group of five rare bronzes by Joseph Durham (1814- 77) from the Gould collection will be offered at The Canterbury Auction Galleries on November 26-27.

When auctioneer Tony Pratt spotted a mysterious shape in the undergrowth of a back garden in Hythe he wasn’t expecting to uncover a very large pottery bear.

This rare American scene by noted railway painter Terence Cuneo (1907-96) turned up at Canterbury Auction Galleries (20% buyer’s premium) in Kent.

Art and romance from 19th century Italy, industrialised agriculture from England – two national stereotypes were honoured in triplicate at the Canterbury Auction Galleries (20% buyer’s premium).

Works by Namikawa Yasuyuki underline how buyers are aiming at the very best when it comes to the Japanese market ahead of a series of UK sales.

Two single-owner collections built up over lifetimes were well received at Canterbury Auction Galleries (20% buyer’s premium) on February 5-6.