19th Century British Art

A picture of Kelmscott Manor painted when it was the home of William and Jane Morris is returning to the house after it was acquired for The Society of Antiquaries of London.

Sir Henry Raeburn (1756-1823) painted several versions of his portrait of Neil Gow, the most famous 18th century Scottish fiddler, for a number of patrons.

Sailing way above expectations at Sarasota Estate Auctions in Florida was a diminutive English watercolour depicting the deck of a Royal Navy ship.

Trial run for a full worked-up version counts as a highly sought-after picture in its own right

When it comes to historic views of England’s university cities, bidders’ interest is not only determined by the usual factors such as the calibre of the artist and the picture’s condition.

Thoughts that the sweet homely watercolours of Helen Allingham (1848-1926) have fallen from favour commercially may be premature, at least judging by the performance of a couple of works sold at a recent regional sale.

An early 19th century naïve agricultural scene by the elusive Joseph Digby-Curtis (c.1755-1837) posted one of the highest prices for this genre of painting in the last 20 years.

A poignant description of life as an artist studying at the Royal Academy in the mid-19th century emerged at auction and more than doubled its estimate.

There was a time when historic racing pictures by a top name might have been priced close to six figures.

Like his father of the same name, Thomas Miles Richardson Jnr (1813-90) began his career in Newcastle but he moved to London in 1846.

Family group at auction offered works by several generations including the renowned John Sell Cotman

Painting of an Indian Mutiny scene smashes the record thanks to bidding from the sub-continent

Three auctions follow on from the October series to offer items from the collectors’ Californian residence

A work by Rebecca Solomon (1832-86) originally offered at Sotheby’s and later blocked from export to the US has been bought by two UK museums.

Art dealers across the UK are unveiling portrait exhibitions to mark the reopening of the National Portrait Gallery (NPG) this month.

Among a number of works at the latest Old Master, British and European Art sale at Sworders (25% buyer’s premium) sparking keen interest were a couple of contrasting paintings selling well above predictions.

Despite being a copy by a little-known Norfolk painter, ‘authentic’ portrait makes remarkable price