Whytes

The ROSC art exhibitions – ‘rosc’ being an Irish word roughly translated as ‘the poetry of vision’ – were the first major series of large-scale international art shows in Ireland.

A sensitive portrait of a First World War soldier by the Irish painter William Orpen (1878-1931) was among a series of valuable lots chased by bidders at art sales in Dublin.

Cubist work by often-overlooked artist fuels keen bidding before heading to California.

Irish art market makes a sedate journey back to strength as local buyers dominate.

Our weekly selection from salerooms and dealerships.

Representing just a fraction of the international art market and often overshadowed by the demand for 2D art, Irish sculpture has undergone a quieter recovery.

While demand is encouraging, a scarcity of high-quality work is hitting the supply side

Gracing the catalogue cover of Whyte’s Irish & International Art auction in Dublin on October 1 is this work by Séan Keating (1889-1977).

Though their output was dwarfed by their male counterparts, talented 20th century Irish female artists pack a punch in the saleroom when their art does appear at auction.

John Magnier, the Irish horse breeder and art collector, reportedly made a five-fold return on his Amadeo Modigliani reclining nude when it sold at Sotheby’s New York last month for $139m (£102.2m).

A rare James II ‘gunmoney’ half-crown sold for €10,500 (£8850) at Whyte’s sale titled the Eclectic Collector in Dublin.

Gothic literature is perhaps most alive in the public imagination today through cinema, with horror films inspired by the classic Gothic stories going back to the earliest days of the medium.

The work of Dublin painter Louis le Brocquy (1916-2012) is strengthening after the value of his work went spiralling downwards at the height of the Celtic Tiger crash nearly a decade ago.

First-edition sets with well-preserved jackets and perhaps a signature or an inscription usually make the really big money where Tolkien’s Lord of the Rings trilogy is concerned, but a recent Dublin sale produced something rather unusual.

Since the Celtic Tiger’s demise a decade ago and the tailspin that ensued, the Irish art market has evolved into a more cautious and less speculative beast. The latest round of sales held towards the end of September and into October showed steady (if not spectacular) demand, especially for the big, bankable names.

Spring sale results provide promising upturn as Irish art market shows signs of recovery.