Insurance

Building your collection can involve a lot of thought along with the time and money involved, but it is also worth spending a while thinking about how to share it.

As a collector, there are a number of attractive reasons why you may wish to loan an artwork or antique to an institution, either temporarily or long term, writes Petra Warrington of Hunters Law.

The principle of insurance is to put you back into the position that you were in before the loss occurred. This can be challenging when navigating the art market, writes Dr Abigail Price.

We have recently acted for a number of clients who either have had the misfortune of having to call on their insurance when a piece of artwork has been damaged or where we have been instructed by insurers to bring a swift resolution to a spurious claim, writes Rudy Capildeo.

A new insurance policy targeting dealers who do not work in traditional galleries has been launched by London and Lymington brokers Hallett Independent,.

MADAM – I totally agree with the comments made by Eddie Holt (‘Spectacularly wrong valuations? No thanks’, Letters, ATG No 2376) regarding valuations given by ‘experts’.

The UK and European Union now face an uncertain future, with cross-border controls a key concern for exporters and importers as politicians debate memberships of the single market and customs union. What does this mean for the art market and its insurance needs?

“There are insurers in the market who purport to be specialists but who have little, if any, experience in settling difficult claims, such as those involving depreciation as a result of damage. Their premiums are very competitive, but brokers have no knowledge of how claims will be settled.

The business of trading in art and antiques is fraught with risks. With the added complexity of Brexit looming, ATG outlines the insurance steps buyers and sellers can take...

An audacious robbery in Amsterdam has left a dealer without insurance cover for the theft of more than 250 Asian works of art.