Prints

Among the most iconic works of David Hockney’s (b.1937) output was his Paper Pools series, focusing on the private Californian swimming pools he experienced in the late 1970s.

Just a month after the Second World War, Pablo Picasso (1881-1973) was in Paris working at the lithography workshop of Fernand Mourlot (1895-1988). It was the beginning of a collaboration that would last almost three decades and produce more than 400 different graphic images and editions.

Highlights from dealer Bernard Jacobson’s huge collection of prints by Henri Matisse (1869-1954) are currently on offer at his London gallery.

An exhibition of works by LS Lowry (1887-1976) has recently moved from Peter Harrington’s Dover Street shop to its Fulham Road location where it is on show until April 28.

The fair offering a way to own a big name without the huge cost is back for 33rd staging.

Detailed and dark, the prints of Gerald Brockhurst (1890-1978) offer striking portraits of both the famous and fictional from the first half of the 20th century.

Familiarity with the works on paper market means getting to grips with the technical processes behind drawing, painting and printing and learning the requisite vocabulary.

For the Fine Art Society in Edinburgh, the year kicks off with an exhibition of 20th century printmaking.

Welsh artist Clive Hicks-Jenkins’ recent series of screen-prints are a fitting subject for a January exhibition.

During the 1950s a revival in UK printmaking took root. As dedicated print studios were set up, etching, lithography and screenprinting flourished, and in the 1960s, as critics celebrated the ‘rebirth’ of the print, Marlborough Fine Art entered the print publishing market.

Among the many prints by Julian Trevelyan (1910-88) included in Bohun Gallery’s ‘Travels’: An exhibition of etchings is Avenue of the Americas (pictured above).