Brightwells

Self-portraits are among the earliest prints that Rembrandt van Rijn (1606-69) made, accounting for a large portion of his etching output when he was in his 20s and living in Leiden.

Detailed down to pneumatic tyres, knock-off hub caps and rack-and-pinion steering, the clockwork toy of Alfa Romeo’s P2, the world-beating racing car between 1924-30, was produced by CIJ (Compagnie Industrielle du Jouet) from 1924-35.

This Thomas Sidney Cooper (1803- 1902) cattle landscape resurfaced at an auction in Leominster after a century in the same collection.

The Victorian Conservative politician Lord Coventry is believed to have commissioned this portrait of favourite hounds Rambler and Marksman.

A demi-parure of mid-18th century Swedish gold jewellery offered by Brightwells (22% buyer’s premium) in Leominster was accompanied by a painted portrait miniature of the original owner wearing the set. The miniature, although uninscribed, was dated 1845.

‘More affordable’ Lucie Rie lots head a selection of hammer highlights from summer sales.

Topping two days of steady selling and 750 wide-ranging lots at Leominster saleroom Brightwells’ (17.5% buyer’s premium) summer auction was a Republic period cong-form vase in the style of the renowned Qianjiang School artist Wang Yeting.

This small scene by Scottish genre painter Thomas Faed (1826-1900) shown below sold for a quadruple-estimate £8500 at Brightwells (22% buyer’s premium).

Huanghuali furniture in the form of a late Ming/ early Qing ping tou-an (recessed legs table) starred in the Oriental section of Brightwells’ (17.5% buyer’s premium) sale in Leominster.

An estimate of £120-150 was never going to do for a lot in a Leominster sale of March 28 that was catalogued, in full, as “STEIN, Sir Aurel, Serindia, a Detailed Report of Explorations in Central Asia and Westernmost, four vols, and a box with maps (5)”.

Provenance played a key role in the performance of a small group of pictures formerly owned by one of Australia’s biggest artists, Sidney Nolan (1917-92).

The sort of large-scale, widely varied provincial auction which had Cheffins auctioneer Luke Macdonald enthusing “it was like selling used to be 15 years ago” after his March 7-8 sale at Cambridge (ATG No 2335) is rarer than it used to be, but plainly alive and well and prospering.

Two William and Mary side tables, one period and the other catalogued as ‘style’, bringing different results in March.

An oil on copper painting depicting Saint Joseph by the Bolognese artist Gaetano Gandolfi (1734-1802) was the highlight of Brightwells’ spring fine art sale in Leominster on March 21-22.

The rise of the ‘young classics’ has helped the market become accessible to investors across all prices. Nigel Boothman talks to auctioneers and experts about accelerating trends for 2018. He also looks at the motorbikes and automobilia markets.