19th Century British Art

Organisers of Connect Fair also take part as exhibitors among a ‘young and lively’ group from across the UK

Artists who both painted Rome city and surrounding views stand out in a country house sale

Portrait of Lord Byron subject offered at Dreweatts auction demonstrates considerable skill of a British artist

The record-setting piece of Beswick pottery at a recent sale at Potteries Auctions (20% buyer’s premium) – a rare variant of a shire horse model that fetched £11,300 (ATG No 2569) – was not the only lot bringing notable demand.

John Robertson deals in paintings and is among the exhibitors at the Mayfair Antiques and Fine Art Fair in January.

'Plumb-pudding in danger or State Epicures taking un Petit Souper' is the most famous of all James Gillray’s satirical caricatures and perhaps the most well-known of all Georgian political cartoons.

At Frant there dwells a Man of fame. By trade a Tailor, Smart by name.

Group of works by the uncle and nephew attracts significant Indian bidder interest

This oil on canvas of 'Royal Dorset Yawl at the Needles' is the work of Charles Gregory (1849-1920) and is included in a single-owner collection on offer at John Mitchell Fine Paintings.

The last few months have been an interesting time for followers of John Atkinson Grimshaw (1836-93).

A clutch of good-quality traditional landscapes exceeded hopes at Exeter saleroom Bearnes Hampton & Littlewood (25% buyer’s premium).

This snowy scene by Suffolk artist Thomas Smythe (1825-1907) features in English and Continental Antiques’ winter exhibition in Eye.

Tory politician acquired the artist’s watercolours before London dealer raised the profile

Trio of paintings depict life at a long-disappeared family home

Highest price in five years is achieved for Manchester School and Staithes Group artist

A number of pictures from another single-owner collection caught the eye at Dreweatts a month earlier than the Flaxley Abbey auction.

An oil of a King Charles Spaniel by Hugh George Shaw (active 1880-95) is among the offerings in the latest edition of the Armchair Art Fair catalogue.

Although largely still an unknown outside the Victorian art world, the second-generation Pre-Raphaelite painter Marie Spartali Stillman (1844-1927) was a cherished member of the circle as model, muse, student and ultimately colleague.