Drawings & Pastels

The latest Old Master sales in London underlined the importance for auctioneers of securing the best works by major names.

THE original drawings that Edward Lear made for his 1846 A Book of Nonsense are now rare, and those that exist are for the most part held in institutional collections.

TURN the leaves of ‘A sketchbook belonging to Lady Julia Conyers...’ and you will find some 80 drawings and watercolours by Lady Julia and her society friends that are for the most part unexceptional and predictable.

A Borders property provided Thomson Roddick (15% buyer's premium) with a sensational discovery for their sale in Rosewell, Edinburgh on December 4.

FOUND hanging in a Boston bathroom, the whereabouts of this Aubrey Beardsley (1872-1898) illustration had been a mystery for more than 80 years. Entitled The Climax, and hanging in the lavatory alongside another Beardsley pen-and-ink drawing called A Platonic Lament, the owners had no idea of its significance.

TO the connoisseurial mind, it was not the paintings that lit up the Old Master series in London in early July but rather three rediscovered drawings by Francisco José de Goya y Lucientes (1746-1828) offered in a dedicated Old Master and 19th century works on paper sale at Christie’s on July 8.

A world record price for a comic-strip illustration was paid at a specalist sale at Artcurial in Paris on March 29: Georges Remi Hergé’s 1932 ink-and-gouache design for the cover of Tintin en Amérique.

MASTER Drawings in New York, a new Anglo-American trade initiative will be launched in January. It is modelled on Master Drawings in London which has been held since 2001.

“A MOMENT of European importance” is how architects acknowledge Tyringham Hall in Buckinghamshire. It is one of the greatest country houses designed by Sir John Soane (1753-1837), the leading architect of his generation.

Enigmatic, elusive, rarely seen, and classified as mad – but that’s our Dadd!

The rainbow plate seen above right comes from an 1814 first issue* of David Cox’s Treatise on landscape Painting and Effect in Watercolours, an oblong folio work that incorporates a hand-coloured aquatint frontispiece and 31 plates (15 coloured, 15 in sepia) as well as 24 soft ground etchings.

A group of 19th century sepia drawings, depicting Aborigines in Queensland, came up for auction at Brightwells (15% buyer’s premium) sale of paintings and prints on January 26 in Leominster, Herefordshire.

THE first afternoon session of a January 20-21 antiques sale held by Lawrences of Crewkerne presented more than 400 lots of books, amongst them a good collection of private press books featuring the wood-engraved illustrations of David Jones.

“Business has been good, but to achieve this I have had to work extremely hard.” This is how Chris Beetles summed up 2004 and, having already taken over £500,000 in sales from his renowned annual exhibition of British illustrators, he is ending the year on a bullish note.

NEXT year’s Watercolour and Drawings Fair will move to a new venue, the Royal Academy rooms at 6 Burlington Gardens, London W1, where it will run from February 3 to 6 with an opening evening preview on February 2.

THE Mira Jacob Collection sale at Bailly-Pommery-Voutier & Sotheby's (23.92 - 14.35% buyer's premium) included a smattering of drawings and watercolours by artists outside the dealer’s sphere of influence – from a small Picasso ink sketch of a Glass and Jar, bought in at €44,000, to a Degas pencil portrait of Thérèse Degas, 11 x 8 1/2in (28 x 22cm), which sold at a quadruple-estimate €77,000 (£52,400).

SOLD for £25,000 at Sotheby’s on June 25 was a group of letters, documents and sketches by Giovanni Francesco Barbieri, or Il Guercino [the ‘Squinter’], his painter nephew, Benedetto Gennari and his patron Claudio Bertazzoli, that relate to the former’s altarpiece for Santa Maria della Pieta dei Teatini in Ferrara – The Purification of the Virgin.

TURN the clock back some 30 years, and regulars to Bonhams’ Knightbridge rooms might just recall a rather dapper, pinstripe-suited auctioneer by the name of Alexander Meddowes.

ON view at the Belgrave Gallery, St Ives, these two works by the late Sir Terry Frost represent a gap of some 60 years.

HIGHLIGHT of Sotheby’s (23.92/14.35% buyer's premium) book and manuscript sale on June 30 was Antonin Artaud’s 1947 portrait of his publisher Alain Gheerbrant, pencil, 14 x 20in (35 x 50cm), seen right, that made a double-estimate €210,000 (£140,000) to set a record for an Artaud drawing.