Fine Art

Fine art is a staple of the dealing and auctioneering industry, featuring works ranging from Medieval art to traditional Old Masters, and right through to cutting-edge Contemporary art.

While oil paintings represent a large part of the sector, other mediums adopted by artists across the ages include drawings, watercolours, prints and photographs.

Sculptor’s allure on a smaller scale

28 April 2005

Lays, Penzance, March 17-18. Buyer’s premium: 15 per cent A BRONZE statue, Vanity by Sir William Hamo Thornycroft R.A. (1850-1925), was the most sought-after entry at this Cornish outing.

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The re-emergence of the lost royals…

19 April 2005

In November 1933, the Queen Mother (then Duchess of York) wrote to Charles Edmund Brock (1870-1938), a noted illustrator and society painter, commissioning a family portrait.

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Buyers back prospects of an artist too shy for fame

13 April 2005

PICK up the Modern British reference books and you might just find a small mention of Edgar Hubert: born in Billingshurst, West Sussex in 1906; trained at the Slade; an exhibitor with the London Group from 1931 to 1947; died in obscurity (actually it was in Scafold, West Sussex) in 1985.

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Stallion stirs the sporting blood at Sotheby’s

13 April 2005

TRADITIONAL British pictures have not been one of the strongest areas of the art market in the last couple of years, with sporting paintings being particularly stuck in the doldrums.

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Medieval ivory of Arthur’s knights sells for a king’s ransom

13 April 2005

IT was a matter of success breeding success for Oxfordshire auctioneers Holloway’s in March. Late last year they sold an 18th century ivory bust, possibly of Handel, for £29,000, and when the owner of a tiny medieval ivory panel read of it in ATG No 1671, January 8, he decided to offer it in the Banbury rooms.

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Renoir archive emerges in US

12 April 2005

Maryland auction house Hantman’s will sell personal artefacts and archival material relating to Pierre August Renoir at auction on May 14.

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Russians make their mark again

24 March 2005

The former collection of Dmitri Snegaroff (1885-1959) was the focus of attention at the Modern and Contemporary art sale at ArtCurial (20.93% buyer’s premium) on February 22-23.

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You may have to lie down for this one…

15 March 2005

GORRINGES were celebrating a house record last Thursday following the sale of a rediscovered late work by John William Godward (1858-1922) for £440,000.

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Shop window legacy proves as much of a gift today

15 March 2005

It is not every day a dealer refuses to sell a piece of stock, but that was very much the case with the work shown here, which was the highlight of Sotheby’s Bond Street's (20/12% buyer's premium) sale of the Adler collection last month.

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Legacy casts new light on an Orientalist

08 March 2005

INCLUDED in Potburys’ (12.5% buyer’s premium) sale in Sidmouth, Devon on February 8 and 9 was a 75-lot collection of pictures by the Orientalist painter Charles Robertson (1844-91) consigned from his granddaughter’s estate. They appear to have been the works that remained in the family after the artist’s Godalming studio was sold off following his death from a heart attack aged 47.

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On the forbidden warpath…

01 March 2005

A WORK of art in itself, a piece of US history and redolent of the tragic past of the American Indian tribes in which so many collectors are now passionately interested. Could any artefact be more likely to guarantee a huge price than this Blackfoot war bonnet, right, dating from the early/mid 19th century but still in fine condition?

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Pom beats Aussies to six colonial memories

01 March 2005

A group of 19th century sepia drawings, depicting Aborigines in Queensland, came up for auction at Brightwells (15% buyer’s premium) sale of paintings and prints on January 26 in Leominster, Herefordshire.

Fabergé on up down under

14 February 2005

BEST known for their period silver by the master English silversmiths, Mayfair dealers Marks Antiques are also making a name for themselves with Fabergé, and, on February 18 and 19, hold a selling Fabergé exhibition at Martyn Cook Antiques, Queen Street, Woollahra, Sydney.

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European collectors boost London contemporary sales

14 February 2005

Buoyed by rising stockmarkets and the continuing strength of the euro against the pound, European private collectors were buying in force at Sotheby’s and Christie’s February round of Impressionist, Modern and Contemporary art sales in London.

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Take the high road, take the low road

07 February 2005

With Sir Walter Scott setting the tone and Victoria and Albert in the vanguard, 19th century followers of fashion developed a highly romanticised passion for all things Scottish.

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The abbé, the duke, his mistress and the old Adam...

07 February 2005

At first glance, this 7ft 6in x 5ft 7in (2.28 x 1.70m) canvas, right, of the Temptation of Adam by the French artist Jean-Baptiste Santerre (1651-1717) might seem to be a fairly standard, if unusually large, depiction of one of the most hackneyed religious themes in Western art.

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Mulready’s orphans find new home

07 February 2005

Appearing at Frank R. Marshall’s (15% buyer’s premium) sale at Knutsford, Cheshire on January 11 and selling at £720, was this 10 x 7in (25 x 18cm) oil-on-canvas, right, by Augustus Edwin Mulready (fl1863-1880 d.1886). Framed, mounted and indistinctly signed, it showed a characteristic subject for the artist, and was estimated at £200-300.

Knightsbridge now for Damien Hirst

07 February 2005

NO more the enfant terrible of the Brit-Art world, shark man Damien Hirst is quite at home in salubrious Knightsbridge, especially after he walked away with £11m from his famous Pharmacy sale at Sotheby’s.

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David Jones jamboree at Crewkerne sale

03 February 2005

THE first afternoon session of a January 20-21 antiques sale held by Lawrences of Crewkerne presented more than 400 lots of books, amongst them a good collection of private press books featuring the wood-engraved illustrations of David Jones.

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Lenkiewicz forgery prompts reaction

31 January 2005

THE appearance of a significant Lenkiewicz forgery on the market has prompted the foundation dedicated to the artist to set up an authentication service.

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