Greek, Roman, Egyptian & Other Antiquities

A dispute over two 4th century BC Grecian vases offered at Frieze Masters in London by a Swiss dealer is the latest case highlighting the complexity of the ownership of antiquities.

Christie’s sale of an ancient marble idol has created an art world battleground between Turkey and the saleroom, testing ownership laws...

The sales held by a variety of Monaco auction houses that are a feature of the summer season are traditionally big on jewellery, cars and Hermès handbags and other luxury accessories and modern art.

A US judge has ordered Christie’s to identify the winning bidder of the $12.5m (£9.7m) Guennol Stargazer, an ancient Anatolian idol auctioned in New York in April.

A moment of good old-fashioned saleroom drama emerged at Christie’s antiquities sale on July 5 when an Etruscan bronze mirror, estimated at £10,000-15,000, sold at £390,000 (plus 25/20/12% buyer’s premium). The buyer was a European institution.

The global trade body for antiquities dealers has insisted that Europe does not provide a ready market for looted artefacts from conflict zones.

Ancient pottery is the most abundant and diverse collecting field to have survived from antiquity. As the first synthetic material created by humans, it spans the entire ancient world, encompassing a wide variety of styles, shapes and colours. From functional household objects to highly prized ceremonial pieces, pottery appeals to both entry level collectors and seasoned buyers. Here ATG puts ancient pottery in the spotlight with a selection of highlights coming up at auctions, fairs and galleries in London this summer.

ATG previews a couple of upcoming lots at London auctions.

The antiquities trade’s packed summer schedule got off to a bright start at Sotheby’s (25/20/12% buyer’s premium) in London. The ancient art sale was the second to be held since the auction house reopened its London unit in 2016. Over the last two decades, Sotheby’s had sold ancient art through its New York saleroom only.

Catalogued as ‘after the antique’, this marble figure of Aphrodite was the unexpected star of Chiswick Auctions’ June 14 sale of antiquities and tribal art in London.

‘How Western Art Collectors are Helping to Fund Isis’ (Guardian), ‘Broken System Allows Isis to Profit from Looted Antiquities’ (New York Times), ‘How Antiquities are Funding Terrorism’ (Financial Times). In 2015, news of looting and the destruction of ancient sites in the Middle East by the fanatical Islamic terrorists Isis began to gain worldwide attention.

Mixing ancient and new is all the rage. The contemporary art boom has drawn new faces into the antiquities market, changing the way the trade think and display ancient art.

Charles Ede has bowed out of this week’s Masterpiece London in favour of the trio of TEFAFs. ATG meets two of the directors to find out how a synthesis of ancient and modern can benefit this long-standing family firm.

“I have gazed upon the face of Agamemnon”. Arguably the most famous words in archaeological history, they were supposedly uttered by German archaeologist Heinrich Schliemann in 1876 as he unearthed a gold mask at Mycenae. Some 140 years later, portraits from antiquity remain powerful reminders of our ancient past.

An age away from the controversy, skulduggery and sky-high prices that have too often characterised the antiquities market of late, the world of the quiet academic’s study came to the Macclesfield rooms of Adam Partridge (15% buyer’s premium) on April 6-7.