Art and antiques news from 2004

IN The Sunday Telegraph of July 25, Sarah Jane Checkland offered that old chestnut “what paintings sell”. Much of the analysis was predictable – “paintings of women and children outstrip those of men and the younger and more attractive the better” and “prospects are grim for dead animals”. However, a few results of her survey were more intriguing.

PICTURED here are two pieces of Liberty & Co metalwork sold by Fieldings (12.5% buyers premium) of Hagley on July 17. The 8in (20cm) high pewter timepiece, top right, with a central copper and enamel dial with two enamel cabochons to the base, is a recorded design by Archibald Knox. The case, still with original patina, is fitted with a Lenzkirch brass bodied movement (the original key fitted to the door) and the base stamped 0370 Tudric.

THE August 25 sale at Burton-on-Trent auctioneers Richard Winterton includes a collection of studio pottery formed since the 1950s by the vendor who trained under, and for over 49 years has been a friend of, David Leach.

IN The Sunday Telegraph of July 25, Sarah Jane Checkland offered that old chestnut “what paintings sell”. Much of the analysis was predictable – “paintings of women and children outstrip those of men and the younger and more attractive the better” and “prospects are grim for dead animals”. However, a few results of her survey were more intriguing.

AT the Royal Academy Summer Exhibition this year, the end wall of Gallery II was completely taken up with a work which John Hoyland, Professor of Painting at the Academy Schools, described as “Terry Frost’s magnum opus”.

ART case pianos, as their name implies, are instruments with very decorative cases painted or elaborately inlaid, and usually one-off commissions.

IN 1963, following market research to discover the most popular girl’s name at the time, Lines Bros. (Pedigree) of Merton, London, launched England’s answer to Mattel’s Barbie and Ideal Toy Corporation’s Tammy. Sindy, with her rosebud mouth, large blue eyes and bouncy curls, was The doll you'll love to dress.

ON view at the Belgrave Gallery, St Ives, these two works by the late Sir Terry Frost represent a gap of some 60 years.

ONE of the most exciting aspects of the ever-growing interest in 20th century British art is the opportunity it offers to rediscover significant, but neglected, talent of the period. For those with a keen eye and prepared to look beyond the mere ‘big’ names, there really are some impressive things out in the market place. Such works, of course, also have the added bonus, more often than not, of falling into the category of affordability.

HELPED by contacts with the Traquair family, Shapes have a great track record selling the work of Phoebe Anna Traquair (1852-1936), the Dublin-born mixed-media artist who became a leading member of Scotland’s Arts and Crafts movement.

THE general strength of the Sèvres market was reinforced in spades by the very strong prices paid for two plates that featured in Christie’s King Street sale on July 5. Both are from celebrated services and both have the type of bold, slightly more masculine decoration that is currently fashionable.

WITH the King Street sale devoted entirely to Continental material, it was left to Christie’s South Kensington rooms to offer a home-grown element with the morning half of their sizeable 393-lot, June 24 British and Continental ceramics offering.

THE long month of August may be a good time to relax, but for glass enthusiasts the end of the month offers the perfect chance to get the pulse racing once again.

PAINTINGS offered at Lyon & Turnbull’s (17.5% buyer's premium) July 21 Jordantone dispersal were mostly comfortable furnishing pictures of some quality including this uncharacteristic Joseph Farquharson oil, right, entitled Fisherwoman on a Deserted Sandy Beach. Very different from the artist’s trademark mix of sheep, heather and swirling snow, the 22in x 3ft (55x 91cm) image of a solitary figure walking barefoot on the shimmering sand went to a private buyer at £17,000.

PABLO Picasso’s Garçon à la pipe boosted Sotheby’s second quarter sales considerably, alone accounting for about 9.5 per cent of the total.

ON view at the Belgrave Gallery, St Ives, these two works by the late Sir Terry Frost represent a gap of some 60 years.

WHILE some painters, such as Jack Vettriano (b. 1954) and Royal Academician Ken Howard (b. 1932), seem to be able to sell their canvases almost before the paint has dried, many other artists are finding it a precarious market. Contemporary art might be the current buzz word, but it remains a fickle business, with buyers far too focused on seeking out the work of a few A-list names.

THE most sought-after and best-performing English factory amongst the more select gatherings of English wares at Sotheby’s Bond Street sale was undoubtedly Chelsea. The auctioneers had 16 lots to offer, mostly consigned from one collection and of the currently fashionable Red Anchor period botanical type either in their painted decoration or shape.

ENGLISH and Continental glassware was also a feature of Sotheby’s June and July ceramics sales. It accounted for just over 30 per cent of the more affordable Olympia offering, where around two-thirds of the 115 lots changed hands, and just under a fifth of their Bond Street sale where around half the 33 lots found buyers.

SOME steady selling of material which has been hard to shift of late provided some encouragement for the trade generally at Lawrences of Bletchingley's (12.5 buyer's premium) July 20-22 sale and among the 2000 lots – which totalled nearly £200,000 – there were enough of those quirky offerings which make provincial British auctions the fascinating events they can be.