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When this walnut chair arrived at Shanklin Auction Rooms (10 per cent premium) on the Isle of Wight it was catalogued as Victorian and expected to fetch £400-600. However, specialist dealers who viewed it before the September 4 sale noted its clean, classical lines its ebony strung motifs and, most significantly, the wrap-around back.

AFTER this year the 20/21 British Art Fair will move from the Royal College of Art in Kensington Gore, London SW7 to the Commonealth Institute, Kensington High Street, W8.

THE first UK clocks and watches sale after the summer lull presented a good opportunity to examine the health of a market which is notoriously prone to ups and downs. From results at Gardiner Houlgate, Bath, it would seem that the trade in gentleman’s pocket watches remains buoyant, while ladies’ wristwatches are still hard to shift.

Harlequin Unmasked: Commedia Dell’Arte and Porcelain Sculpture by Meredith Chilton, published by Yale University Press in association with the Gardiner Museum of Ceramic Art, Toronto. ISBN 0300090099 £45hb

THE degree of demand for any type of ceramics can be gauged by the amount of damage buyers will tolerate – once it was only the rarest of early pieces where condition was not paramount, then this began to be true of 19th century majolica and now, apparently it is beginning to be the case when it comes to Moorcroft.

One unexpected result enlivened an otherwise unexceptional sale of Continental decorative arts held by Christie’s South Kensington (17.5/10% buyer’s premium) on September 13.

Scottish painting is, as we know, one of the stronger sectors of the UK art market, but William Page Atkinson Wells (1872-1923) is not one of its better known names.