Auctioneers

Christie’s is weighing up options for the sale of the lease of its Old Brompton Road premises after it held its last sale before closing the popular South Kensington auction rooms.

When this cabinet on stand appeared in the inventory of a Gloucestershire home in the 1920s it was described simply as ‘An old Italian Cabinet of ebony and Tortoiseshell’. In fact, it is Flemish rather than Italian and was probably made in Antwerp in the first half of the 17th century.

A large Qing blue and white bottle vase with a Yongzheng (1723-35) mark sold for £150,000 (plus 20% buyer’s premium) at Halls in Shrewsbury.

Roseberys has made a swoop for senior Christie’s South Kensington former heads as the south-east London auction house signals its mid-market ambitions.

The farewell party for Christie’s South Kensington, around the corner from Old Brompton Road at The Kensington Hotel on July 19, was a melee of former staff, clients and friends of the auction house. So packed was the room, moving from one end to the other was tricky.

Dreamy landscapes, fairies and classical female nudes fill many of today’s best-known canvases by the Victorian artist Edward Robert Hughes (1851-1914). But it was his skills as a portraitist that impressed critics most while he lived.

A superb set of decorated armour sold at Sotheby’s (25/20/12% buyer’s premium) is believed to have set a record. The £880,000 hammer price for the three-quarter-length cuirassier protection is believed to be the highest auction result for 17th century armour.

Possibly the largest quantity of watercolours by the Second World War artist Thomas Hennell (1903-45) to come to auction in one sitting was on offer at Mallams (20% buyer’s premium) on July 5

This work above by the popular cartoonist Max Beerbohm (1872-1956) was a highlight of Mallams’ library sale on June 21.

A scarce collection of watercolours by Biggles creator WE Johns (1893-1968) sold beyond expectations in Sworders’ (22% buyer’s premium) June 27 sale in Stansted Mountfitchet.

At just after 10am on July 19, William Porter – the first of four carefully chosen auctioneers – climbed the rostrum to a ripple of applause from an audience of two dozen staff and a dozen or so buyers. “Ladies and gentlemen. Welcome to Christie’s South Kensington and welcome to the Interiors sale.” Long pause. “For the last time,” he said. “Boo,” heckled a voice from the front.

Helped by a revival of interest in traditional music, the market for the best antique concertinas has accelerated in recent years. Prices for some models have trebled across the decade.

The interest in studio pottery goes beyond the premier names in the field. Three pieces by Waistel Cooper (1921-2003), a Scot who worked first in Porlock in Somerset and later from the Barbican Pottery in Penzance, generated plenty of bidding at Greenslade Taylor Hunt’s (19% buyer’s premium) July 6 sale in Taunton.

This shagreen, silver and enamel cigarette box and cover, made for Liberty and Co and attributed to Manx designer Archibald Knox (1854-1933), doubled its estimate to sell for £10,500 at Halls (20% buyer’s premium) in Shrewsbury on June 21.

With the disappearance of Christie’s South Kensington the London market is in a state of flux. ATG looks to the future and considers the opportunities for the firms that seek to take its place.

Despite their function, stirrup cups in the form of equine heads are a little harder to find than those of dogs and foxes.

August is traditionally the month when most of the auction world takes a breather. But in Scotland, where well-heeled holiday-makers tread, there is no let-up.

The closure of Christie's South Kensington has meant several firms are vying to gain a slice of the market in one of London's wealthiest area as well as draw the specialist staff who are moving on.