Christie's

THE general strength of the Sèvres market was reinforced in spades by the very strong prices paid for two plates that featured in Christie’s King Street sale on July 5. Both are from celebrated services and both have the type of bold, slightly more masculine decoration that is currently fashionable.

WITH the King Street sale devoted entirely to Continental material, it was left to Christie’s South Kensington rooms to offer a home-grown element with the morning half of their sizeable 393-lot, June 24 British and Continental ceramics offering.

COINCIDING with the run up to the British Open at Royal Troon, Christie’s South Kensington (19.5/12% buyer’s premium) held their summer sale of golf memorabilia on July 8. According to the specialist in charge, David Convery, the auction was “well attended by British based and American buyers,” but, nevertheless, there was still something of a polite hush around the saleroom with most lots barely scraping past their reserves.

THE Cricket, Tennis and Traditional Sports sale at Christie’s South Kensington on June 22 saw a hammer total of £87,355 from the 163-lot offering. Yet nearly three quarters of this figure came from the two top lots alone, hence the sold by value figure of 63 per cent was noticeably higher than the sold by lot figure of 51 per cent.

CHRISTIE’S have won leave to appeal against the High Court judgment that found them liable to pay damages to Taylor Lynne Thomson in the dispute over the £1.75m Houghton urns.

AS its title suggests, the June 30 sale of scientific, medical and engineering works of art held by Christie’s South Kensington (19.5/12% buyer's premium) was something of a mixed bag. The 216-lot auction incorporated anything from 18th century microscopes and preserved amphibians to delft barbers’ bowls and scale models of locomotives.

IN recent years, clock dealers and collectors have adopted ever more exacting condition standards, preferring to wait and pay a premium for timepieces in untouched condition such as the highlight, pictured right, at Christie’s King Street (19.5/12% buyer's premium) on July 2.

ANOTHER of the top-priced clocks to feature at Christie’s King Street (19.5/12% buyer's premium) on July 2 was this Regency rolling ball skeleton timepiece pictured right, made in Edinburgh by Robert Bryson after the model by Sir William Congreve, the inventor of the rolling ball clock.

THE sale at $350,000 (£190,215) of Conan Doyle’s autograph manuscript of the Sherlock Holmes story, The Adventure of the Sussex Vampire, has already been noted in the Antiques Trade Gazette (No.1646) but the Christie’s New York sale of June 9 that brought that very high bid also included the pair of first edition copies of The Adventures... and Memorials of Sherlock Holmes (1892 and ’94) seen right.

SOLD for £3800 as part of the June 21 Christie’s sale at Chirk Castle was a copy of the first and only published part of John Harris’ The History of Kent, bound in contemporary speckled calf, now rubbed and splits at the joints.

HARRY Potter prices are not quite as strong as they once were, but the fine “unread” copy of the 1997 first of Harry Potter and the Philosopher’s Stone seen right was sold on June 17 for £11,000 at Bloomsbury Auctions, who had it hopefully estimated it at £15,000-20,000.

A Christie’s New York sale of June 9 included a collection of Dr Seuss books, illustrated letters and other ephemera formed by Jed Mattes, who in 1977, following the death of Theodor Geisel’s long-term agent Phyllis Jackson, took over as his representative.

THE servants’ quarters, very much a part of the history of any great house, are always hugely popular with visitors and the National Trust was keen to buy items at Christie’s (19.5/12% buyer's premium) Chirk Castle sale on June 21 which represented life below stairs.

EVERY country house sale should have at least one sleeper and at Christie's (19.5/12% buyer's premium) Chirk Castle sale this honour went to a sandstone grave slab.

CHRISTIE'S have strengthened their photography and 20th century design team by appointing Joshua Holdeman, formerly international director of photographs at Phillips, de Pury & Co.

DECADES before Damien Hirst’s formaldehyde sheep and the 1990s explosion of Britart, London was swinging to the rhythm of Pop Art’s movers and shakers. Forty years have now passed since the height of this international movement prompting Christie’s South Kensington (19.5/12% buyer’s premium) to host the first of what they hope will become an annual Pop Art themed sale on June 30.

ROUNDING off the European furniture, carpets and works of art sale at Christie’s South Kensington (19.5/12% buyer’s premium) on June 15 was a 78-lot collection of hall stands, mostly made in cast iron.

THOMAS Rowlandson’s (1756-1827) watercolour Place des Victoires, Paris (estimated £60,000-80,000) failed to find a buyer when offered at Sotheby’s (20/12% buyer’s premium) on July 1.

THE problem with over-ambitious estimates does not just apply to the sort of significant paintings which consignors may be led to believe are worth sums in the £100,000-£1m range.

WITH selling rates that rarely dip below 80 per cent and steadily increasing totals that are the envy of more traditional departments, auctions of Contemporary art continue to go from strength to strength.