Christie's

An unusual Chinese School picture of a 17th century Dutch missionary scene led Christie’s (25/20/12.5% buyer’s premium) £2m sale of topographical pictures in London.

A recently released new film about the relationship between Elizabeth I and Mary Queen of Scots, one in which certain historical liberties appear to have been taken concerning the generally accepted belief that the two women never actually met, brings a topicality to a letter offered last month in London.

Much of the pre-sale interest in the 19th century paintings offered at the major London rooms centred on two landscapes by Caspar David Friedrich (1774-1840) at Sotheby’s (25/20/12.9% buyer’s premium).

A work once said to have “…set the course for the modern world by its effective destruction of the anthropocentric view of the universe” made a rare auction appearance.

Edward Coley Burne-Jones (1833-98) was the toast of London during the latest Victorian art sales held in the capital, where buyers continued to covet blue-chip Pre-Raphaelite art, market-fresh material – and invest in female names.

Adam Smith’s own copy bearing his simple bookplate makes £750,000 in London auction.

For many years New York’s major salerooms mounted auction series of Old Master paintings, drawings and sculpture in the first months of the year immediately following their Americana series.

German and Latin versions of ‘Nuremburg Chronicle’ impress in separate sales.

At the very end of the 15th century, in Venice in December 1499, there emerged from the presses of that city’s most famous printer, Aldus Manutius, what is traditionally described as the most beautiful illustrated printed book of the Italian Renaissance.

Bound as two volumes in contemporary red morocco gilt, its plates and plans finely coloured and gilt heightened throughout, an exceptional example of Joan Blaeu’s celebrated 17th century townbook of the Netherlands was offered in a recent American sale.

“Every specialist has an object that they dream of having in their sales,” says Matthew Rubinger, Christie’s head of handbags and accessories. “For me, it’s the aluminium Explorer trunk by Louis Vuitton. The market is full of silver-coloured metal trunks, but this piece is their inspiration.”

Showing hardly any signs of wear and signed by JK Rowling – and originally acquired at a special signing at Harrods, as revealed by a laid-in ticket – a near pristine first issue copy of 'Harry Potter and the Philosopher’s Stone' of 1997, appeared at auction earlier this month.