Sotheby's

Copies of Giacomo Franco’s Habiti d’huomeni et donne venetiane…, a collection of detailed views and scenes of Venetian life and costume published c.1610, vary in the numbers of plates they present.

A record for a female Old Master and a Rubens with a royal connection was not quite enough to heat up bidding across the latest Old Master auction series in New York this winter.

A “legendarily rare first edition” of the first book to describe the workings of a stock exchange sold at a high-estimate $300,000 (£238,095) in the days leading up to Christmas.

The precise function of the series of English tin-glazed earthenware seated cat jugs common to the 1650s-70s is unknown but, as many are dated and initialled, they may have been given as marriage or betrothal gifts.

Much of the pre-sale interest in the 19th century paintings offered at the major London rooms centred on two landscapes by Caspar David Friedrich (1774-1840) at Sotheby’s (25/20/12.9% buyer’s premium).

Dated to c.1480, the 5in (12.5cm) tall painting on vellum of ‘King David in Penitence’ shown right was one of two works by the Master of the Houghton Miniatures offered by Sotheby’s (25/20/12.9% buyer’s premium) in a December 4 sale and sold at £90,000.

Edward Coley Burne-Jones (1833-98) was the toast of London during the latest Victorian art sales held in the capital, where buyers continued to covet blue-chip Pre-Raphaelite art, market-fresh material – and invest in female names.

A trademark nocturnal scene by Victorian painter John Atkinson Grimshaw (1836-93) got away on low estimate for £80,000 at John Nicholson’s (25% buyer’s premium) of Haslemere in Surrey.

For many years New York’s major salerooms mounted auction series of Old Master paintings, drawings and sculpture in the first months of the year immediately following their Americana series.

Illustrations offered as part of an online Sotheby’s (25/20/12.9% buyer’s premium) sale held in early December included a couple of Arthur Rackhams.

Inscribed to a fellow dramatist, a presentation copy of the 1933 first of Nathaniel West’s classic black comedy, Miss Lonelyhearts, did exceptionally well at Christie’s New York (25/20/12.5%).

While £90,000 is an awful lot of money for an empty metal box, this old black painted and gold lettered deed box does bear the magic name of Winston Churchill.