Sotheby's

A superb suite of the original ink and gouache drawings – one shown here – made by Carl Otto Czeschka to illustrate a 1908 edition of Die Niebelungen dem Deutschen Volke sold at $290,000 (£224,805) in a Sotheby’s New York (25/20/12.5% buyer’s premium) sale of June 6 called Important Design.

Written off by some as a dying area, the latest Old Master series in London defied the naysayers with encouraging results during its traditional ‘grand finale’ slot at the end of the London sales season.

A record-breaking Canaletto (1697-1768) drawing was the toast of the capital’s Old Masters drawings sales.

A number of the French auction rooms have released their sales figures for the first half of the year, with Christie’s Paris operation taking the top slot.

Like many of the world’s major art markets these days, Paris concentrates activity in the Asian art field into series at specific times of the year in an attempt to attract those all-important buyers from Mainland China.

Last offered at auction at Parke-Bernet in New York in 1945, as part of the famed Bronson Winthrop collection, a drawing made by John Tenniel for Alice through the Looking-Glass made $16,000 (£12,600) at Sotheby’s New York (25/20/12.5% buyer’s premium) on June 13 – though the saleroom had hoped it might make twice that sum.

'Tres Thomae…', by Thomas Stapleton, a leading Catholic theologian, is a set of three biographies of saints who shared his own first name. An exile from England, Stapleton was Professor of Theology at Douai at the time and his book was published there.

For previous generations of artist jewellers, from René Lalique to Andrew Grima, retail sales and private commissions were everything. Typically it was only much later in the collecting lifecycle, after a period of posthumous reassessment and rediscovery, that their work appeared at auction with any great regularity.

Stealing all the headlines at Sotheby’s (25/20/12% buyer’s premium) Fine Jewels sale in London on June 7 was the £540,000, 26ct ’tenner’ diamond, bought by the vendor at a boot fair in the 1980s. However, among the 370 lots were items with more illustrious provenances.

An exceptionally rare miniature book, a 'Kalendarium Evangelia' printed by Christopher Plantin in Antwerp in 1570, measuring just 35mm high appeared at a recent Bonhams sale.

It is tempting to write off 19th century pictures as passé. A field relegated to the dusty corners of the art market, while contemporary art reigns supreme.

The antiquities trade’s packed summer schedule got off to a bright start at Sotheby’s (25/20/12% buyer’s premium) in London. The ancient art sale was the second to be held since the auction house reopened its London unit in 2016. Over the last two decades, Sotheby’s had sold ancient art through its New York saleroom only.