Sworders

Essex centre to be environmentally friendly

Works by Eric Ravilious (1903-1942) are only very occasionally seen on the market. So when this evocative watercolour Salt Marsh was offered at Sworders (15% buyer’s premium) sale in Stansted Mountfitchet on April 11 it attracted at least seven interested parties.

The highlight of a strong £500,000 sale conducted by Sworders of Stansted Mountfitchet on February 14 was this Fabergé silver-gilt and cloisonné enamel box. It had been given to the vendor's husband by his grandfather who had lived and worked in St Petersburg until the time of the Revolution and had met Carl Fabergé in person.

GROWING Essex auctioneers Sworders have expanded their reach into Suffolk with the acquisition of the venerable Sudbury firm Olivers. Plans are also underway for a new auction centre situated on a brownfield site just north of their current location in Stansted Mountfitchet.

DURING an otherwise routine probabe valuation in a village near Saffron Walden, John Foster from Stansted Mountfitchet auctioneers Sworders discovered a box of coins tucked away in the back of a cupboard. On closer inspection he found an album of East Anglian banknotes which had probably been collected in the 1950s and 1960s for only a few pounds.

THIS walking stick, thought to have once belonged to John Adams, the longest surviving of the Bounty mutineers, will be on offer at Sworders' (15% buyer’s premium) Summer Country House sale on July 20-21. It is made from a vine found on Pitcairn Island, where Adams and eight of the other mutineers famously settled after landing there on January 23, 1790.

FOUND in a box of aviation books that was brought into the salerooms of Sworders of Stansted Mountfitchet following a North London house clearance was a little pamphlet entitled Experiments and Observations in Soaring Flight.

OVER the last couple of years, a number of auctioneers have been complaining that lesser-name Victorian watercolours in the sub-£500 range have become the weakest of all areas at picture sales, sometimes to the point of having no market at all.

MOST of us are familiar with the designs Eric Ravilious, Edward Bawden and Keith Murray produced for Wedgwood, but how many have heard of Norman Makinson?

TWO albums of 19th century Chinese photographs assembled by a British diplomat sold for £5200 in a general antiques sale held by Sworders at Stansted Mountfitchet, on March 30.

Although he remains a somewhat shadowy figure, during the last 25 years George Bullock (1777/8-1818) has emerged as perhaps the foremost English designer and cabinet maker of the early 19th century. Amongst many questions still remaining unanswered about Bullock’s life are how much he actually designed himself (no records of his firm survive) just who was his partner Colonel Charles Fraser, which country houses commissions did he undertake, and did he commit suicide?

THERE were very few books in the September 9 antiques sale held by Sworders of Stansted Mountfitchett, but one of them was a copy of Charles Dickens’ The Chimes that was signed and inscribed to a man with whom Dickens was later to become involved in a tiresome and disagreeable round of threats of litigation – an episode that was categorised in the title of a 1996 American book on the subject as The Charles Dickens-Thomas Powell Vendetta.

Consigned to Sworders by a dealer who had bought it when clearing a London office, this George III patent extending mahogany dining table created a massive amount of interest when offered by the Stansted Mountfitchet auctioneers on September 9. “When it arrived it was so obviously a good thing,” said specialist Guy Schooling who found two potential candidates for the maker, S. Martin, whose name and the inscription Invenit et Fecit appeared on a brass plaque applied to the base.

ON the same day as Whyte’s Dublin sale, the Irish theme continued this side of the water at Essex when Sworders (15 per cent buyer’s premium) offered a drawing by Sir William Orpen (1878-1931) at their Stansted Mountfichet rooms on April 29 – a 16 by 14in (40 x 35cm) signed pencil and coloured washes piece entitled The Furniture Painter.

THE sad plight of silver is as well known as the boom in all Arts and Crafts pieces – what happens when the two come together was the question at Sworders’ sale when this pair of plated candlesticks, right, were offered.

THERE was only one spectacular price but plenty of exceptional results at this vast Essex dispersal at Sworder's, September 10-11 (Buyer's premium: 15 per cent) – a reminder to the trade that quality goods may be hard to find but wider margins can be made from low-value material.

English blue and white pottery may not be the most fashionable ceramic collecting area, but the 144-lot Patricia Davis collection offered in the June 11 morning session at Sworders Essex rooms suffered only 22 casualties.

FEW clocks can claim to be as rare as this example, pictured right, which is being offered for sale at Sworders of Stansted Mountfitchet in Essex on October 23. The rarity is based in part on the maker’s misfortune.

Nephew of the influential Amsterdam-based painting teacher Petrus Franciscus Greive (1811-1872), Johan Conrad Greive (1837-1891) was a modestly-talented 19th century Dutch artist who specialised in river and canal scenes often with numerous figures.

Gordon Russell, the Cotswolds School designer, is now famous for his austere designs of utility furniture. Unfortunately for Russell, this means that his work is often neglected and undersold by owners who do not realise his significance in the history of Arts and Crafts design.