Auctioneers

A six-figure sum for Belgian Symbolist Fernand Khnopff was the top lot of Christie’s drawing-focused sale.

Among the highlights of Sworders’ (25% buyer’s premium) latest Fine Interiors sale was a remarkable anthropomorphic funerary urn from Ecuador.

Simple Salford street scene dating from year after he left art school is now at £70,000 hammer price level

A spate of businesses taking stock and personal collections to the saleroom reflects wider changes in the market

The sale held by Catherine Southon at the Farleigh Golf Club in Surrey on April 26-27 includes a single-owner collection of 18th century drinking glasses.

A high price for a Victorian work sold outside London came at Tennants’ (22% buyer’s premium) latest British, European and Sporting Pictures sale.

The Drouot auction centre was also celebrating drawing week with no shortage of drawings and works on paper on offer.

The latest dedicated sales held by one particular auction house show how the value of Lalique glass – the epitome of inter-war glamour – is determined by its colour

Also during drawing week, and on the same day and just around the corner from Christie’s, Artcurial held a related art auction.

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Enamelled imperial eagle tankards or 'reichsadlerhumpen' – large three or four-litre glass drinking vessels enamelled with the 56 coats of arms and the quaternion eagle of the Holy Roman Empire – were popular from the 16th to the late 18th century.

‘The Land We Live In’ is a toast that appears on a number of Irish decanters made in Cork and Waterford.

The ideas of ‘liberty’ as a cause and a concept were not confined to the coffee shops of Boston and Philadelphia.

This rare Victorian copper jelly mould shaped as a tortoise or turtle on rockwork sold for a remarkable £2000 at Brighton & Hove Auctions.

A prayer book once owned by a priest who helped Charles II hide after defeat at the Battle of Worcester, and later heard his death-bed confession, has sold at auction to a national heritage organisation.

Before the familiar image of a lady in tall black hat and shawl took hold, the stereotype of Welsh identity was Shon-Ap-Morgan or Poor Taff.

Local supporters help to boost pictures produced in art colony based in a North Yorkshire fishing village