Richard Green
Richard Green is a four-generation fine art specialist in paintings dating from the 17th to the 21st centuries. Based in London with two Bond Street galleries, the eponymous owner runs the gallery with his two sons Jonathan and Matthew and is a member of the TEFAF board.
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Masters of their craft present masters of art
12 June 2012The dreaded experience of the inexperienced gallery-goer: having mustered the courage to ring the buzzer on the door, you’re greeted by a deathly silence as you nervously look at the works under the hawk-like gaze of a dealer. No prices and you’re too scared to ask. This is exactly the kind of image that the organisers of Master Paintings Week and Master Drawings London are trying to combat.
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Seago centenary fest for London
25 January 2010THE work of Edward Seago (1910-1974) has always been popular. Even during his own lifetime, Colnaghi’s annual exhibitions of his paintings between 1946 and 1966 on Old Bond Street drew such fierce competition that buyers, some of whom had queued overnight, were restricted to one picture each.
Richard Green rebuilds Bond Street premises
05 October 2009LEADING London art dealer Richard Green is in the process of demolishing his Old Masters gallery at 33 New Bond Street, prior to completely rebuilding a new five-storey gallery.
New deal to secure Palm Beach
21 May 2008A RADICAL shake-up in the overall organisation, marketing and direction of Palm Beach | America's International Fine Art & Antiques Fair is underway. It will guarantee the future security of the event as a premier American fixture for the next five years and bring in a number of top dealers as part of the organisation.
Six of the best shows.... and every one a Lowry
19 May 2004TO mount six major selling exhibitions in the space of eight years of paintings by iconic British 20th century artist L.S. Lowry (1887-1976) is, by any standards, impressive. Nonetheless, this is exactly what New Bond Street dealer Richard Green has done. His latest Lowry showcase opens this Wednesday, May 19.
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