International

The AXA insurance group have joined the battle for Drouot with an offer believed to be worth €82m (£51m), comfortably exceeding the €69m (£43m) proposed by Barclays Private Equity and the €64m (£40m) by ABN-Amro earlier this year.

Look at the differences between the modern-day perspective of Amsterdam’s Nieuw Voorburgwaal, and the 1759 depiction by Dutch artist Jan de Beyer (c.1703-85) to be offered for sale from the Anton Dressman collection at Christie’s Amsterdam on April 16 with an estimate of €45,000-75,000.

Museums are well known as the protectors of age, but now we have an example of how age is to prove the downfall of such an institution. The silver lining to this cloud is that it provides a unique opportunity for the trade and collectors.

Luxury sets were a feature of the Pacific Book Auctions sale of February 7 and seen left are sample volumes of a 48-volume set of the works of Alexandre Dumas, one of 1000 ‘Editions de Medicis’ sets published in Boston c.1900 and here sumptuously bound in dark green morocco gilt with red inlays to the covers, which reached $13,000 (£9155).

The Italian art market is in shock at the arrest of one of its major players for the sale of fake works of art and other crimes.

A high spot of the Sotheby’s sale of December 12 was a group of Jane Austen firsts in the original boards. Illustrated above right is the former Lady Shelley/Earl Spencer/Jerome Kern copy of her first published novel, Sense and Sensibility of 1811, the blue boards with cream paper spines, which made $70,000 (£49,295).

DENMARK: Given the continuing vogue for Scandinavian interiors, it comes as no surprise that the first modern art and design auction to be held by Danish auctioneers Bruun Rasmussen (25% buyer’s premium including VAT) in Århus last month on February 12, met with very favourable results.

WILLIAM Wood’s New Englands Prospect..., first published in London in 1634, was intended to “enrich the knowledge of the mind-travelling Reader, or benefit the future Voyager”.

NOTED St. James’s Asian specialists Rossi and Rossi leave their Jermyn Street showrooms for New York this month for an exciting show which runs until March 26 at the galleries of Dickinson Roundell, 19 East 66th Street.

US auction house Dargate will be put up for auction on March 30 without reserve. The decision follows the failure of the first attempt on September 7 last year, when the starting bid for the fixed assets, ongoing business, goodwill, Website, mailing list and other holdings was set at $500,000.

Mallet, one of London’s most famous and venerable antiques dealerships, are opening prestigious new permanent galleries on New York’s Upper East Side.

Phillips-Selkirk, the St Louis, Missouri auction house owned by Phillips de Pury Luxembourg, has a new name and a new owner.

THERE are no datelines at TEFAF Maastricht, which runs in the Dutch city until March 17, but Old Masters and top quality antiques are the stock that springs immediately to mind.

Christie’s (20.93/11.96% buyer’s premium) staged their first Automobile sale in Paris on February 12 at the Rétromobile vintage car show, which attracts 100,000 visitors every year.

NEW YORK: MARINE paintings are a specialist area which have received plenty of attention from auction houses eager to tap into the wealth of those rich enough to enjoy mucking around in boats.

A £70,000 REWARD is being offered after five paintings worth more than £1.7m were stolen from an antiques fair in Sweden.

VICTORIA Borwick, until last autumn director of the Olympia Fine Art and Antiques Fairs, has joined Florida-based IFAE (International Fine Art Expositions) as a fair director.

HOLLAND: IN honour of the Netherlands’ long tradition of landscapes and town scenes Christie’s Amsterdam (buyer’s premium 20.825 per cent) had a topographical theme to its pictures sale on January 22.

BELGIUM: Antwerp’s four main auction-houses have announced plans to co-ordinate their sales and viewings for the first time.

FAIRS are among the most contentious, gossip-ridden and difficult-to-read aspects of the whole antiques business. But while organisers’ rivalry can often verge on the psychotic, there is one thing they all agree about, and that is the status of The European Fine Art Fair at Maastricht.