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New rules are now in force regarding the sale of those natural history specimens that require Article 10 certificates.

Norfolk auction house Keys has marked the end of its 65th year in business by gaining independence from its estate agency parent company.

Serendipity had it that two important, but scantily catalogued, lots of European glass emerged for sale in the south of England in early January.

The Athenian silver dekadrachm c.469/465-460BC is among the ancient world’s most celebrated coins – and a splendid example appeared for sale in New York last week.

Edward Burd, who died in October, was a well-known dealer in English dial and wall clocks who was active on the provincial English antiques fair circuit.

Edward Coley Burne-Jones (1833-98) was the toast of London during the latest Victorian art sales held in the capital, where buyers continued to covet blue-chip Pre-Raphaelite art, market-fresh material – and invest in female names.

ATG’s selection of auction lots bought by internet bidders on thesaleroom.com from the period January 3-9, 2019. This includes both the highest prices over estimate and the top prices paid online.

Our weekly selection from salerooms and dealerships.

A trademark nocturnal scene by Victorian painter John Atkinson Grimshaw (1836-93) got away on low estimate for £80,000 at John Nicholson’s (25% buyer’s premium) of Haslemere in Surrey.

Earlier material in the last Comic Book Auctions (16% buyer’s premium) sale of the old year, which ended on November 25, included an original ink on card artwork of 1900 featuring Ally Sloper, whose pioneering comic debut had been made as early as 1867 in Judy, a comic rival to Punch.

MADAM – Your new year’s resolutions piece (ATG No 2374) was thought-provoking, citing aspirations and concerns reflecting the current art and antiques market.

ATG’s calendar of book auctions taking place in the UK and Ireland from January 15-31, 2019.

Adam Smith’s own copy bearing his simple bookplate makes £750,000 in London auction.

The drive by, among others, the Royal Academy and the National Gallery to promote women’s importance in art would have required little effort had campaigners looked at the world of modern ceramics.