Auctions

Following hot on the heals of a gold cased pocket watch which took £25,000 Sherborne auctioneers Charterhouse (15% buyer’s premium) found further horological success on May 31 with this early 19th century carriage clock, right.

One of the more curious sections of Sotheby’s sale at Billingshurst on 21-22 May was devoted to natural, rather than man-made statuary.

Brown furniture has proved hard to shift at auction in recent months but the success of this George I burr walnut chest on stand offered at the Bristol Auction Rooms on June 18 may signal the tide is turning.

Butterfields, the San Francisco auctioneers, who made the national press in March following the controversy over a Malcolm X archive, were front page material again in June following the sale of the only surviving parts from the atomic bomb dropped over Hiroshima.

MUSIC makers, from Jaques Frères musical boxes to Würlitzer juke boxes, make their sometimes surprising mark at auction but although this German orchestrion, right was one of the most unusual pieces to come up at any English rooms, Market Harborough auctioneers Gildings (12.5% buyer’s premium) recognised it as a major money maker in their May 28 sale.

Shanklin Auction Rooms have taken what they believe to be a record price for a Worcester teapot. The Isle of Wight auctioneers expected a bid of around £1000 for the rare c.1760, 5in (13cm), first period Worcester pot (pictured) and were amazed to see it knocked down to a London dealer for £11,000 (plus 10 per cent buyer’s premium).

IRISH auctioneers have long been adamant that Irish pictures sell better in Ireland and certainly the 71 per cent sold by lot achieved at James Adam (15% buyer’s premium) in Dublin on May 29 was only just shy of the 76 per cent by lot selling rate taken at Christie’s Irish sale in London on May 17.

THIS most unusual looking beast is expected to be the star lot at a sale to be held in Paris on July 4 at a most unusual location, the pagoda-like Maison Chinoise, rue de Courcelles, Paris 8.

Back on April 9 and 10 Bonhams (17.5/10% buyer’s premium) Bond Street rooms offered a double helping of portrait miniatures on consecutive days: a 165-lot single owner and a 133-lot mixed-vendor sale, both of which saw around three-quarters of their contents get away.

On the same day that Christie’s King Street rooms were offering pieces from the upper-crust end of the portrait miniatures and vertu market, their South Kensington (17/510% buyer’s premium) rooms had a more bread-and-butter selection of the same material.

A new auction record for any antiquity was set at Christie’s last week on June 13 when the 5ft 3in (1.6m) high ancient Roman marble statue of Venus, pictured right, sold for £7.2m.

AT the time it was produced – 1930/31 – the geometric design of a Shelley tea set with triangular handles was far from popular and speedily withdrawn. Seven decades on, with Art Deco a buoyant area and Shelley becoming more in demand by collectors, the scarcity of the pattern was a considerable addition to the appeal of a tea set for six offered at Stride’s 1000-lot West Sussex sale.

WITH little in the way of furniture at this 1000-lot Essex sale at Ambrose on 17-18 May it was left to jewellery to provide the higher prices and collectors’ items to provide the wider interest.

Predating Shackleton’s famous experiments in polar printing by nearly 60 years, this is one of a group of six playbills printed in the Arctic in 1851-52, during the voyages of the Resolute and Intrepid in search of Sir John Franklin.

Jean Goulden (1878-1947) was another name restored to pre-eminence at the Tajan sale on 28 May. Goulden belonged to the Groupe Dunand–Goulden–Jouve–Schmied and himself underwrote the exhibitions the group staged annually at the Galerie Georges-Petit in Paris from 1921 to 1933.

THIS 438-lot Suffolk auction at Abbotts may not have been as strong as their last sale in March but this was more to do with the quality of consignments this time round than a reflection of the market.

William Blake did not manage to persuade his non-conformist followers to build Jerusalem in England’s green and pleasant land, but a Victorian carpenter came close with this davenport, right. Consigned to the May 22-23 sale held at Winterton’s (10% buyer’s premium) in Lichfield, the davenport belongs to an interesting group of 19th century olivewood furniture bearing the logo Jerusalem, written in English or Hebrew.

Nanking means to most people the rape of that city by the Japanese; to ceramics collectors it conjures up memories of the Nanking Cargo, but in the specialist picture market it is the place where the 1842 treaty was signed opening up five ports to British merchants “without (molestation or restraint”.

The German painter Hans Purrmann (1880-1966) is described by Bénézit as an artist who was heavily influenced by Matisse (with whom he had contact in Paris from 1906-1914), but who lacked the greater artist’s “sense de lumière et de la couleur”.

If maritime artefacts are your thing, set sail for Christie’s South Kensington. There’s a positive marina’s worth of material on offer on June 19 in the first of their two annual sales held in London devoted to all manner of marine artefacts and paintings.