Auctions

Lyon & Turnbull’s 110-lot private collection did not just comprise Scottish silver, but also silver of Scottish interest. Among the more idiosyncratic elements in the catalogue was this allegorical Jacobite snuffbox, right.

Right: this 17th century stumpwork jewellery casket will be the highlight of the first sale of antique rugs and textiles at the Netherhampton Salerooms. The auction will be put together by the team responsible for the regular specialist sales at Woolley & Wallis – the only sales of their type outside London – that ended in February.

KIDSON-Trigg (15% buyer's premium) reported a healthy turnout for their 725-lot February 26 sale with steady interest for collectable ceramics such as Beswick and the better-quality furniture attracting a mixture of local and UK private and trade buyers.

THE rarest and probably the earliest piece of printing in a February 26 sale held by Pacific Book Auctions of San Francisco, the papal indulgence from Wynkyn de Worde’s press seen right, was bid to $13,000 (£6890), but there were some other early items in the collection of editions of Aesop’s Fables formed by the late Dr Margaret Rose Quentin that opened the auction.

THE final 130 or so offerings in Abbotts (10% buyer's premium) 675-lot Suffolk sale on March 10 showed that good examples of standard late Georgian and Victorian furniture can still find buyers if the price is right.

FIFTEEN or so years ago works by the likes of Helen Allingham (1848-1926) and the Stannards of Bedfordshire had the sweet smell of success all over them. However, in more recent times the general consensus is that watercolours of this genre, which I loosely describe as “roses round the cottage door”, have slipped from favour.

Illustrated in colour on the catalogue cover of Clevedon Salerooms’ March 4 sale was a watercolour described as being by Richard Parkes Bonington (1801-1828).

JUST two of the 600 or so lots that made up a March 2 sale of books and prints held by John Nicholson of Fernhurst, Surrey, managed four figure bids – a binding and a postcard album.

ARE there any corners of Britain where the trade can enjoy an old-fashioned auction without the intrusion of confident private buyers? If so, Abergavenny is no longer one of them.

ALTHOUGH Derwent Lees (1885-1931) is recorded in reference books, such as the Handbook of Modern British Painting and Print-making 1900-1990, published by Ashgate, he is not that well known outside specialist trade circles.

THE 330-lot tribal art sale at Blanchet & Associés (17.94% buyer’s premium) back on January 30 featured 173 pre-Columbian pieces. These achieved a 70 per cent take-up, with a top price of €14,500 (£10,000) for a polished stone ritual Hacha from Guatemala, right, 9 1/2 x 7 1/2in (24 x 19.5cm), whose relief decoration took the form of the profiled face of a dead man, topped by the giant, curved fang of the sacred serpent.

IT could have come straight out of one of the author’s own stories – a lost archive of unique material valued at two million pounds uncovered in the offices of a London law firm after being missing for decades.

BUYERS may have been thin on the ground for the more routine furniture in this 712-lot Crow's, Dorking (10% buyer's premium) sale on February 25, but the four telephone lines booked for a Georgian Chippendale rectangular tilt-top occasional table ensured this would be a hotly contested entry.

A PORTRAIT of two of the ‘Scottsboro Boys’, illustrated right, topped this year’s sale of African-Americana at Swann’s when it was knocked down at $36,000 (£19,080). But there was also a bid of $20,000 (£10,600) on a group of 40 letters and telegrams addressed to Dickenson, Hill & Co. and S.R. Fondren, slave dealers of Richmond, Virginia, in the years 1836-62.

Bonham’s had no difficulty dispersing the first instalment of the mammoth collection of Worcester porcelain formed by Milton and Jeanne Zorensky, offered in their New Bond Street rooms on March 16. Just five of the 416 lots were left unsold and even these had all found buyers by the end of the day.

THERE was quite a lot of frenzied activity at Bonhams (aka Glendinings) in the days running up to their sale on February 24.

On a day when early pieces took the top prices at Mallams (15% buyer's premium) sale on March 3, one of the earliest was this late 16th century Venetian bronze inkwell, right.

THE first day of a Belle Epoque sale held by Doyle of New York on February 25-26 awoke what one might, with greater reason than most, term a sleeper – the remarkable piece of furniture, catalogued as “An Italian Baroque style Mahogany Bed”, seen right. The bed was part of the Woodruff collection, comprising stock from a former Hollywood business that from 1922-60 was a popular rental source for the film studios, but stock that for the past 40 or more years has been in storage in Oklahoma.

ALTAR surrounds and other architectural elements from a 19th century Belgian church proved one of the bigger attractions at a February 8 sale held by in Los Angeles by Bonhams & Butterfields – a sale titled ‘Revival of the Centuries’.

The highlight of the sale conducted by Bourne End Auction Rooms (12% buyer’s premium) near Marlow, Buckinghamshire, on March 4 was this pair of tin-glazed earthenware plates, right, made c.1740 by Saverio Grue at the Castelli factory in Naples.