Auctions

Pint-sized dealers might be interested in getting hold of this immaculate little suit in black wool and cream cotton, measuring just 2ft 1in (63cm) from collar to trouser bottom, which is being offered by Bonhams in Knowle on December 11.

Thanks to the combination of sporting subject matter and extremely slick technique, Sir Alfred Munnings (1878-1959) continues to be one of the few early 20th century British painters to command a truly international following among the world’s richest private collectors.

The Beano and Dandy were the first British comics to be published entirely in colour when they appeared within months of each other in 1938. With a cover price of two old pennies, this first edition Beano achieved the highest price ever paid for a British comic when bidding closed at Comic Book Postal Auctions in London last week.

ONE of the more expensive lots in this Cumbrian sale at Thomson Roddick & Medcalf on 6 November was an 1881 [Philadelphia] limited edition of the Complete Poems and Prose of Walt Whitman. An ex-library copy in well worn cloth and bearing a typescript note that it was bought “...at the sale of the library of the late Lord Rosebery”, it made £920. Some copies are signed, but the catalogue referred only to a manuscript limitation statement.

The table pictured right was very much the star entry in a 230-lot sale of English and Continental furniture and works of art held at Bonhams (17.5/10% buyer’s premium) Bond Street rooms on November 26. It singled handedly accounted for a third of the entire £787,620 auction total when it made £260,000. Nothing else came near this in price, the next most expensive entry being a £19,000 Louis XV period marquetry commode.

Attentive readers of the Antiques Trade Gazette will remember the sale of the Lawrence R. Stack collection of English medieval coins at Sotheby’s in April 1999. He also had a good collection of French coins from the time of Henri IV (1589-1610) to about Waterloo. These were dispersed by Hess-Divo (15% buyer’s premium) in Zurich on October 24 in 380 lots.

With the recent closure of numerous manufacturing depots belonging to a Cardiff company, the time came to dispose of items from the manager’s flat. The best of these items, all of which were sold on November 20 at the Cardiff rooms of Anthemion Auctions, was this Regency mahogany secretaire bookcase.

Historians have spent many enjoyable hours attempting to decipher the symbolism of pictures on the back of Georgian teaspoons such as those illustrated right. Like the club tie or the secret society handshake, the picture back teaspoon was an English gentleman’s discreet method of signalling loyalties to potential sympathisers when serving afternoon tea.

Russian Works of Art: ALTHOUGH like the silver sale that preceded it, the buying mood was selective for the 343 lots of Russian works of art offered by Sotheby’s Olympia on November 21, it still totalled a respectable £684,000 for the 215 lots that changed hands.

Five days after Sotheby’s auction, a smaller, 152-lot Russian sale comprising works of art and pictures went under the hammer at Christie’s South Kensington’s rooms on November 26 and here too buyers picked over the contents with 60 per cent changing hands.

The name Stanley J. Seeger will be familiar to many art collectors and auction goers for there have already been no fewer than five auctions of his works of art and pictures since 1993, ranging from 88 works by Picasso sold in New York to Contemporary art in Milan and 18th-20th century British pictures in London.

Over the last year or so there have been some worryingly disappointing results at London and New York auctions of 19th century British and Continental pictures. Bidding in London at Bonhams’ (17.5/10% buyer’s premium) November 19 sale of 19th Century Paintings, however, exhibited some much-welcomed signs of renewed solidity, with 64 per cent of the 182 lots finding buyers.

November 19 was a very busy day for silver fanciers, obliged to make a decision about which of a trio of overlapping London sales they wished to attend in person. As well as King Sreet's main sale, there were more standard offerings at Christie’s South Kensington and Bonhams Knightsbridge (each 17.5/10% buyer’s premium).

Birmingham auctioneers Fellows & Sons (15% buyer’s premium) are particularly known for their silver and jewellery sales but on October 29 it was a piece of furniture which took the top honours. A William and Mary walnut and crossbanded chest on stand had made £3400 when it was auctioned in 1998 by James & Lister Lea of Birmingham as part of the estate of the Late Mrs Joyce Cadbury of the Bourneville-based chocolate dynasty. Here it was punchily estimated at £4500-5500.

The market for high-value Victorian pictures took a downturn last week when Christie’s and Sotheby’s Important British Picture sales posted some worryingly high levels of bought-ins.

While many provincial auctioneers berate the slowing down of the brown furniture market, Phillip Taubenheim of Gloucestershire auctioneers Wotton Auction Rooms (10% buyer’s premium) is finding it pretty healthy. “As long as we are realistic with our vendors and they are realistic with us, everything seems to be OK,” he said.

“Black lacquered papier-mâché is back in vogue after a couple of years in the doldrums,” said Bonhams’ David Houlston, hailing one of the most successful components of November Chester sale on 6-8 November. This material was a decorative complement to the crepuscular interiors of Victorian houses and Mr Houlston believes that its resurgence is due to the ingenuity of modern decorators who have found brighter uses for the black.

The upside of Asian art in London is that the volume of sales pulls in all the Asian and international buyers. The downside of this concentration is that scheduling without overlap is difficult and buyers inevitably pick their way through all those goods selectively. Christie’s South Kensington, who fielded a marathon 600-plus lot Chinese auction on November 14, felt both effects.

Auctioneer Geoffrey Barfoot has noted increased activity at the general sales in the Campsea Ashe rooms of Abbotts (10% buyer’s premium) and the mood has spread to fine art – “provided the lots are fresh to market and good or rare”.

This tiled panel advertising Champagne Mercier was one of a rare ensemble of six panels made in the early 1920s, each 5ft 9in x 2ft (174 x 62cm), on offer under the Prunier hammer in Louviers (14.95% buyer’s premium) on November 17. The other tiled panels, accompanied by two landscape friezes, also advertised drinks (Rhum Negrita, St Raphaël, Guillot Triple Sec, Quenot Dijon cassis, Fine Legrand cognac), and were marked G.F.C. France for Gilardoni Fils & Compagnie of Choisy-le-Roi, near Paris.