Auctions

IRISH auctioneers have long been adamant that Irish pictures sell better in Ireland and certainly the 71 per cent sold by lot achieved at James Adam (15% buyer’s premium) in Dublin on May 29 was only just shy of the 76 per cent by lot selling rate taken at Christie’s Irish sale in London on May 17.

THIS most unusual looking beast is expected to be the star lot at a sale to be held in Paris on July 4 at a most unusual location, the pagoda-like Maison Chinoise, rue de Courcelles, Paris 8.

Back on April 9 and 10 Bonhams (17.5/10% buyer’s premium) Bond Street rooms offered a double helping of portrait miniatures on consecutive days: a 165-lot single owner and a 133-lot mixed-vendor sale, both of which saw around three-quarters of their contents get away.

On the same day that Christie’s King Street rooms were offering pieces from the upper-crust end of the portrait miniatures and vertu market, their South Kensington (17/510% buyer’s premium) rooms had a more bread-and-butter selection of the same material.

A new auction record for any antiquity was set at Christie’s last week on June 13 when the 5ft 3in (1.6m) high ancient Roman marble statue of Venus, pictured right, sold for £7.2m.

AT the time it was produced – 1930/31 – the geometric design of a Shelley tea set with triangular handles was far from popular and speedily withdrawn. Seven decades on, with Art Deco a buoyant area and Shelley becoming more in demand by collectors, the scarcity of the pattern was a considerable addition to the appeal of a tea set for six offered at Stride’s 1000-lot West Sussex sale.

WITH little in the way of furniture at this 1000-lot Essex sale at Ambrose on 17-18 May it was left to jewellery to provide the higher prices and collectors’ items to provide the wider interest.

Predating Shackleton’s famous experiments in polar printing by nearly 60 years, this is one of a group of six playbills printed in the Arctic in 1851-52, during the voyages of the Resolute and Intrepid in search of Sir John Franklin.

Jean Goulden (1878-1947) was another name restored to pre-eminence at the Tajan sale on 28 May. Goulden belonged to the Groupe Dunand–Goulden–Jouve–Schmied and himself underwrote the exhibitions the group staged annually at the Galerie Georges-Petit in Paris from 1921 to 1933.

THIS 438-lot Suffolk auction at Abbotts may not have been as strong as their last sale in March but this was more to do with the quality of consignments this time round than a reflection of the market.

William Blake did not manage to persuade his non-conformist followers to build Jerusalem in England’s green and pleasant land, but a Victorian carpenter came close with this davenport, right. Consigned to the May 22-23 sale held at Winterton’s (10% buyer’s premium) in Lichfield, the davenport belongs to an interesting group of 19th century olivewood furniture bearing the logo Jerusalem, written in English or Hebrew.

Nanking means to most people the rape of that city by the Japanese; to ceramics collectors it conjures up memories of the Nanking Cargo, but in the specialist picture market it is the place where the 1842 treaty was signed opening up five ports to British merchants “without (molestation or restraint”.

The German painter Hans Purrmann (1880-1966) is described by Bénézit as an artist who was heavily influenced by Matisse (with whom he had contact in Paris from 1906-1914), but who lacked the greater artist’s “sense de lumière et de la couleur”.

If maritime artefacts are your thing, set sail for Christie’s South Kensington. There’s a positive marina’s worth of material on offer on June 19 in the first of their two annual sales held in London devoted to all manner of marine artefacts and paintings.

Buoyant as the world of Art Deco is, bidders still like familiar names, which in the world of bronze and ivory 1930s figures tend to mean Demetre Chiparus and Ferdinand Preiss.

SOME of the regular buyers at this 424-lot dispersal at BBR Auctions on 28 April deemed it the “best selection yet” even though it had fewer Prattware pot lids and less blue and white Cornishware than usual. But this was made up for with an unusually large number of pie funnels and a good range of kitchen utensils and cream pots.

There was a French auction record for Sèvres under the Ferri (17.94%/ 11.96% buyer’s premium) gavel at Drouot on May 24 when the large Empire period fuseau vase, shown here, was offered for sale.

Marcel Breuer is one of the major names in furniture associated with the Bauhaus design school. When examples of his distinctive take on modernist furniture design come up for auction they regularly make substantial sums, but it is rare for an entire collection to find its way under the hammer especially a collection of specially commissioned pieces from a named provenance.

This rare Elizabethan oak draw leaf refectory table proved to be the chief atttraction at the sale of the late Clive Sherwood’s Collection offered by Sotheby’s Olympia (17.5/10% buyer’s premium) on May 22, when it sold for a mid-estimate £55,000 to a London dealer.

La Guérison de l’Epiléptique, 3ft x 2ft 4in (91 x 70cm), pictured right, by André Bauchand (c.1927), based on Raphael’s Transfiguration, sold on low-estimate for €3800 (£2450) at Blanchet (17.94% buyer’s premium) on May 15, partly reflecting the indifferent condition of its paintwork.