Auctions

THIS weekend (April 17-18) Northumberland auctioneer Jim Railton will sell the residual contents of the late Dowager Countess of Tankerville’s estate house in Chillingham, pictured right.

The Death of Munrow, depicting the attack by a tiger on a certain Mr Munroe in 1793 when he was out on a hunting party on Saugar Island in West Bengal, is one of the most dramatic and celebrated subjects to be recorded in Staffordshire earthenware. As a result it usually commands a high price when it comes up for sale at auction but few could have predicted the $130,000 (£74,285) (plus buyer’s premium) realised for the example that appeared at Sotheby’s New York last week.

IS there currently a more buoyant sector of the ceramics market than Beswick animals? Malcolm's No. 1 Auctioneers (12.5% buyer's premium) March 29 sale, held at Trustees Hall, Boston Spa, attracted what Malcolm Dowson estimated to be his largest ever attendance in over 20 years of auctioneering. The primary reason? A private collection of Beswick horse figures entered without reserve by a local resident who has decided to live in Spain.

WITH sales of standard furniture chugging along – but at least finding buyers – Gildings (12.5% buyer's premium) of Market Harborough, in common with many in the provinces, looked to ceramics and clocks to provide the day’s highlights at their March 16 sale.

From the standpoint of manufacturing history, dispersals of any factory collection are always tinged with sadness.

NOT all the market resides in a state of stagnation.

Since the time of Edward II, an ingot of gold weighing one pound has been part of the oblation at a coronation – presented by the monarch to the Archbishop of Canterbury and placed on the altar as instructed in the Liber Regalis and thus “fulfilling the commandment of Him who said ‘Thou shalt not appear empty in the sight of the Lord thy God’”.

EVERYONE is aware of how rich a thin stratum of Russians have become in the post-glasnost years. The buying power of Russia’s new rich was amply in evidence on March 23 at Bonhams (19.5/10% buyer’s premium) Bond Street when the spectacular 3ft 1in x 5ft 8 3/4in (94cm x 1.74m) canvas, Nero’s Torches, by Henryk Siemiradzki (1843-1902) sold at £260,000 at an otherwise fairly predictable 19th Century Paintings sale.

A 100-LOT collection of Meissen, Derby and Cont-inental porcelain figures, together with some furniture and works of art from a local Thanet private vendor, formed the backbone of Canterbury Auction Galleries (15% buyer's premium) February 24 outing which attracted a large number of private buyers, many of whom secured the top ceramic lots.

AFTER more than 10 years of research by a specially convened group of international scholars, Sotheby’s have revealed to the world’s press what they describe as a “newly-acknowledged” work by Johannes Vermeer (1632-75).

A POPULAR breed, a popular artist, plenty of puppies, totally fresh to the market, a come-hither estimate... When it came to dog paintings, this signed Arthur Wardle (1864-1949) canvas of a long-haired Jack Russell terrier with her pups had pretty well everything going for it when it came under the hammer at Wintertons (15% buyer’s premium) of Lichfield on March, estimated at just £2000.

DATES have been announced for the first collectors’ sales to be held at Sotheby’s Olympia by the company’s former in-house specialists, now working independently.

BOUGHT for a few pounds at a Surrey church bazaar within the last five years, this James Abbott McNeill Whistler (1834-1903) pen and ink drawing, right, made a tidy profit for its vendor when it fetched a surprise £26,000 at Rosebery’s (15% buyer’s premium) Quarterly Select Auction in West Norwood, South East London.

WHILE Troika ceramics made up the first 150 lots at Burstow & Hewett’s (10% buyer's premium) March 17 sale, there was also more traditional fare on offer, such as this 9in (22cm) diameter pair of mid-18th century English (probably London) delft plates, right, each with a painted design of a cockerel and a flower in blue, green and orange.

THE strength of this Bearne’s (15/10% buyer's premium) March 2 & 3 Devon outing lay in the 72-lot furniture section, although the fairly routine ceramic selection was also notable for a high take-up by lot and some healthy prices. What turned out to be the two star furniture lots were given cautious catalogue entries and estimates which reflected a knowledge of the current wariness among specialists about the numbers of altered, or overly restored, pieces of furniture peppering the market.

As the most prolific of the 18th century English porcelain-producing factories, there is plenty of scope when it comes to collecting Worcester porcelain. There are few collectors, however, who can match the determination of Jeanne and Milton Zorensky.

This large and important Martin Brothers bird, pictured right and dated 1894, is the main highlight of a diverse sale of ceramics, glass, works on paper, furniture, textiles and metalware, relating to the Arts and Crafts movement inspired by William Morris, to be held at Woolley & Wallis' Salisbury Salerooms on May 26.

The 20in (52cm) high dinanderie vase by Jean Dunand, pictured, right, with original black patina and sleek Art Deco outlines belying its early date of 1913, zoomed to €60,000 (£40,000), five times the estimate, at the Tajan (20.33% buyer’s premium) sale of 20th century decorative arts on March 4.

The hangar saleroom at Christie’s South Kensington was full to overflowing for the much-publicised sale of the Poole Pottery Museum collection and archive on March 31.

WITH a style, as one writer has put it, “sweetly intensified to a point where the world is reduced to a world of gossamer”, Annie French (1872-1965) was a Glasgow School artist who took the Art Nouveau idiom of Beardsley and Burne-Jones to new decorative extremes.