Auctions

THE sale of a Shakespeare First Folio is a rare event, but the sale of a copy that emerged out of nowhere is something that comes around only once in a generation.

THIS unusual metamorphic George III mahogany dressing table, right, goes under the Charterhouse gavel on Friday October 15.

SOME provincial auctioneers batten down the hatches during August, but for Keys (10% buyer's premium) in Norfolk it was a particularly busy month with two antique sales, a collectors’ auction and a picture outing.

AS is often the case at regular provincial auctions these days, proceedings at Abbotts Auction Rooms' (12% buyer's premium) otherwise fairly routine, 438-lot September 8 sale were enlivened by a couple of novel entries.

DISPERSING 200 mixed-quality clocks may seem a daunting prospect for some provincial auctioneers, but, by selling the Staffordshire collection in bite-size chunks through their general, oak and country and fine auctions, Richard Winterton (15% buyer's premium) managed to get away almost all entries during the summer months.

When it comes to pulling in buyers, the country house sale held on the premises is a hard format hard to beat – unless, of course, you can combine the attraction with a titled provenance.

“EVERY auction house’s dream” is how Rupert Powell, managing director of Bloomsbury Auctions, described the discovery of a Shakespeare First Folio that will provide a fitting centrepiece for the company’s 500th sale on Thursday October 7.

FOLLOWING the Antiques Trade Gazette’s coverage of the sale of a micromosaic table signed by Michelangelo Barberi for £250,000 at Dreweatt Neate’s Donnington Priory rooms in January – still the highest price achieved for an item of furniture in a UK saleroom so far this year – the Newbury firm received a call from a gentleman in Scotland.

IT was a third edition of 1799, slightly foxed and browned and lacking the half titles, but the copy of George Walker’s novel The Vagabond seen in a Bloomsbury Auctions sale of August 19 was in a contemporary calf gilt binding and it sold at £400 (C.R. Johnson).

FIRST edition copies of John Martyn’s translations of Virgil’s Georgicks (1741) and Bucolicks (1749), both illustrated with coloured plates and maps and bound in contemporary calf, made £500 in a September 17 sale held by John Bellman of Billingshurst.

PICTURED right is one of Nicolaas Johannes Roosenboom’s (1805-1880) classic winter landscapes, The Pleasure Trip: Elegant figures on Ice, which made €9000 (£6000) at Christie’s Amsterdam (23.205/11.9% buyer’s premium) Pictures Watercolours and Drawings sale on September 1. The signed oil on panel was 23in x 2ft 4in (58 x72cm).

COMMISSIONED in 1908 by the Thomas D. Murphy Calendar Co., Mists of Yellowstone, one of many pictures of what is now the Yellowstone National Park region painted by Thomas Moran, nearly doubled the previous saleroom best for the artist on July 29. It made $4.4m (£2.42m) in the grand ballroom of the Silver Legacy Resort & Casino in Reno, Nevada – where Coeur d’Alene Art hold an annual auction, the big event of the year for well-heeled lovers of Western art.

IN rebacked old panelled calf, a 1584 first edition of Welsh historian David Powell’s “corrected, augmented and continued” version of the Historie of Cambria, now called Wales left in manuscript form by Hugh Lhuyd, was sold for £1350 in a Lawrences of Crewkerne sale of July 6.

IN Antiques Trade Gazette No.1655, I illustrated a first octavo edition of Audubon’s Birds of America, 1840-44, that sold for $48,000 (£25,920) in a May sale held by Northeast Auctions of Portsmouth, New Hampshire. In their August 21-22 sale they had another, half morocco bound and rather better looking set – one originally sold by Clarendon Harris, a book dealer of Worcester, Mass – which made $64,000 (£35,200).

AN Americana sale held by Eldreds of East Dennis on August 5-6 included a number of works by Ralph Eugene Cahoon Jr. (1910-82), a Cape Cod artist for whom mermaids and sailors, lighthouses and balloons were key themes, and the picture top right, a late addition to the catalogue, proved one of the Massachusetts sale’s greater successes, at $40,000 (£22,000).

SUSPICION that the market for Irish pictures, at least on this side of the Irish Sea, might be in a softer state than it was three or four years ago, were dramatically dispelled at the Guildford rooms of Clarke Gammon Weller (15% buyer’s premium) on September 7 when a rather late, but completely fresh-to-market, canvas by Paul Henry (1876-1958) was offered.

NATIONAL media coverage has ensured that most people will have heard about the copy of Dandy No.1, complete with Express Whistler that set a British comic auction record of £18,500 in the Comic Book Postal Auctions sale that ended on September 7.

RIGHT: he had initially catalogued it as by Archibald Knox, but it was not until Buckinghamshire auctioneer John Dickins removed its cover shortly before the sale that he realised what a rarity he was really offering in this 19in (48cm) high Arts and Crafts mantel clock.

“IN my 30 years in the business I’ve not seen anything like this before,” said Neil Freeman, of Angling Auctions. “I’ve checked everywhere, but I can’t find anything like it.”

BOUND in full calf, a 1579-80 edition of John Kitchin’s The Authoritie of al Justices of Peace... was sold for £700 in a Lawrences of Crewkerne sale of July 6.