Auctions

One of the advantages of being an auction house with offices and salerooms spread around the country is that items with regional associations can be sold in the areas with the relevant local interest. This is precisely what happened on November 8 when the signed Louise Rayner (1832-1924) watercolour that had originally been consigned to Phillips Bath came up for sale 120 miles and one corporate take-over away at Bonhams Chester (15/10% buyer’s premium).

This 17th century wrought iron Armada chest had stood unopened in the attic of an English country house for 180 years until it was finally unsealed earlier this year and found to contain a mass of papers relating to Dr William Harvey and his brother Eliab which had been deposited there by his descendants in 1821.

Nothing is more certain to draw buyers in their droves than modestly estimated works from private collections. A single textile entry and two conservatively estimated porcelain collections did just that at Sotheby’s Olympia (17.5/10% buyer’s premium) inaugural Chinese Works of Art on November 16.

AUCTIONEERS Sotheby’s (20/15/10% buyer’s premium) combined with New York dealers Stacks to auction the Dallas Bank collection of United States coins on October 29-30.

Manchester City Art Gallery, the underbidder at auction for the lantern which was the original model for Holman Hunt’s The Light of the World, have secured the piece after all. The gallery underbid the lantern, pictured right, when it was sold to a private collector for £46,000 (plus 15% buyer’s premium) on November 1 at Bonhams Knightsbridge.

‘Little mesters’ were the sub-contractors of the Sheffield cutlery industry – self-employed artisans who hired space in large factories to forge, grind and haft their blades, the factory owner receiving a substantial cut from their sale.

On paper there was not much to separate these three French boxes at Dreweatt Neate’s sale on October 31-November 1. The engine turned gold snuffbox pictured above right was 19th century in date and expected to sell for £500-800.

USA: THREE LOTS representing the principal science, medicine and natural history sections of a Swann sale of October 18 are described below, and illustrated right is one a of small group of patents that featured in the New York sale.

SALES IN ITALY: The first auctions to take place in Italy this autumn in the midst of these days of gloom have been encouraging. In Rome on October 30, Christie’s (22.5/18.5% buyer’s premium) sold the contents of the residences of a collector, Michele Falzone del Barbarò. All 362 lots sold for around £400,000, far exceeding the auctioneers’ expectations.

The Frederick B. Adams Jnr. library of English & American Literature was sold by Sotheby’s on November 6 and 7. The second day was devoted entirely to Adams’ magnificent Thomas Hardy collection, but among the highlights of the general sale was an inscribed presentation copy of the 1923, first English edition of T.S. Eliot’s The Waste Land, illustrated right, that sold at a higher than expected £80,000 to Peter Harrington.

Although there has been talk of the furniture trade holding back at auction, dealers may now be looking to buy stock in the run-up to Christmas and the trade secured almost all of the top furniture entries in Michael J. Bowman’s 489-lot sale on 13 October.

DESMOND Morris is perhaps best known for his books and TV series exploring the behavioural patterns of humans and other animals. Not so well known is his fondness for collecting Ancient Cypriot Art, objects that reach back in time to an age when the society he so avidly studies was in its infancy.

DECO & MODERNIST FURNITURE: While much of higher-end Deco struggled to find buyers prepared to match the bullish levels seen in recent seasons, there was still some interest in this field, and the odd exception to buck the trend.

MACKINTOSH: One of the most dramatic results of the series cropped up in Christie’s Important Decorative Arts auction on November 8, and it was one that would appear to have little to do with fashion, economics, or shifts in buyers’ confidence.

WILKINSON’S/ CLARICE CLIFF: One might have expected Clarice Cliff pottery, with its very large UK collecting base, to be one of the areas of the market more resistant to economic concerns or the lack of confidence triggered by America’s low buying profile. But the jittery mood seems to have rubbed on the two most recent auctions to feature large quantities of Clarice material: that held by Christie’s South Kensington on November 2 and the Applied Arts sale at Sotheby’s Olympia.

Like tea caddies in furniture sales, teapots have their own following in ceramics sales like the one at Phillips Leeds, where the 51/2in (14cm) Minton majolica Japanese Actor model, above right, date-coded 1874, made a within-estimate £1100 which took into account some damage to finial and spout.

With the purchase of Spink’s furniture restoration department on November 5 by its director Peter Holmes, all eyes are now looking to see what the future holds for the remaining departments at London’s oldest antique dealer.

VETERAN auctioneer Robert Finan is mainly a consultant these days but he holds two sales a year at the Old Ship Hotel at Mere and prides himself on coming up with a few pieces to interest various specialist interests.

Mickey Mouse fans from New York to Tokyo joined the bidding for this tinplate money box, right, offered in the October 16 sale at the Leigh-on-Sea rooms of John Stacey (15% buyer’s premium).

Dublin auctioneer John de Vere White is to sell 25 paintings on behalf of Aer Lingus, the national airline of the Republic of Ireland, on November 20.