Auctions

BASED in Stoke-on-Trent, auctioneers Louis Taylor (buyer’s premium 12.5 per cent) are better known for their ceramics than their pictures but their quarterly Fine sale held from June 14-16 was led by this Dorothea Sharp oil on canvas, right, Children with a Dog on a Summer’s Day.

IN reporting the sale of the John R.B. Brett-Smith library at Sotheby’s on May 27 (Antiques Trade Gazette No 1646, July 3), I mentioned and illustrated the sale at £2800 of a work of 1679 called Female Poems on Several Occasions written by Ephelia.

THE servants’ quarters, very much a part of the history of any great house, are always hugely popular with visitors and the National Trust was keen to buy items at Christie’s (19.5/12% buyer's premium) Chirk Castle sale on June 21 which represented life below stairs.

THE ups and, more depressingly, the downs of the market this year make the results of a steady day’s selling of material put together by Nigel Papworth at Diamond Mills’ (11.75% buyer's premium) Felixstowe rooms at the end of June look positively encouraging.

“WHEN Mr Woods came into our saleroom and invited us to see his collection,” said Anderson & Garland’s collectables specialist John Anderson, “we just couldn’t believe that such a unique selection of memorabilia could have been sitting in a house only a dozen miles from our premises.”

EVERY country house sale should have at least one sleeper and at Christie's (19.5/12% buyer's premium) Chirk Castle sale this honour went to a sandstone grave slab.

DECADES before Damien Hirst’s formaldehyde sheep and the 1990s explosion of Britart, London was swinging to the rhythm of Pop Art’s movers and shakers. Forty years have now passed since the height of this international movement prompting Christie’s South Kensington (19.5/12% buyer’s premium) to host the first of what they hope will become an annual Pop Art themed sale on June 30.

LEOMINSTER auctioneer Brightwells will offer the lifetime collection of recorded sound enthusiast Don Watson, in a single vendor sale on July 29.

RIGHT: despite the occasionally negative press the antiques trade has received in recent weeks a media circus arrived at Sotheby’s on July 7 to watch the Bond Street auctioneers sell Young Woman Seated at the Virginals, a newly-acknowledged picture by Johannes Vermeer (1632-75).

ROUNDING off the European furniture, carpets and works of art sale at Christie’s South Kensington (19.5/12% buyer’s premium) on June 15 was a 78-lot collection of hall stands, mostly made in cast iron.

AT Scarborough Perry Fine Arts' (15% buyer's premium) June 24-25 sale, auctioneer Stephen Perry, who had given a distressed Regency painted settee sofa a modest pre-sale estimate of £400, admitted ruefully after seeing it go for ten times that amount: “I can value furniture in general but I find it difficult to value interior decorator’s pieces.”

THOMAS Rowlandson’s (1756-1827) watercolour Place des Victoires, Paris (estimated £60,000-80,000) failed to find a buyer when offered at Sotheby’s (20/12% buyer’s premium) on July 1.

FOR 71 of his 84 years Harry Davis (1885-1969) worked as a decorator at the Royal Worcester factory, ultimately rising to the post of foreman painter. He painted a wide variety of subjects, but is best known for his sheep-decorated landscapes, all produced in the first quarter of the 20th century.

DAVID Teniers the Younger’s whimsical 6 x 8 1/2in (16 x 22cm), oil on copper view of Monkeys Playing Cards, sold to a private buyer against the London trade for a double-estimate €220,000 (£146,665) at Tajan on June 24.

THE problem with over-ambitious estimates does not just apply to the sort of significant paintings which consignors may be led to believe are worth sums in the £100,000-£1m range.

THIS 18th century embroidered and appliqué yellow felt horse blanket, right, emblazoned with the arms of the Tighe family and their motto Summum Nec Metuam Diem Nec Optem (Let me neither fear nor wish for the last day), was an evocative reminder of 18th century Dublin pageantry.

WITH selling rates that rarely dip below 80 per cent and steadily increasing totals that are the envy of more traditional departments, auctions of Contemporary art continue to go from strength to strength.

REGULAR sales of toys, dolls and bears are among the specialist categories pinpointed for expansion by Brightwells (15% buyer’s premium) of Leominster.

IN the same week that Sotheby’s and Christie’s were offering their summer selections of English furniture, Bonhams’ Bond Street (19.5/10% buyer’s premium) offered a 224-lot English and Continental mix that also incorporated a sizeable selection of works of art. The broader mix didn’t result in a higher take-up: selling rates for this July 29 event were 54 per cent by lot and 65 in money on a £640,440 total.

THE highlight of a 15-piece collection of Wedgwood ceramics offered for sale by Kidson-Trigg (15% buyer’s premium) of Highworth on May 26-27 was a pair of Wedgwood & Bentley black basalt oil lamps (one shown top right) that would have represented the height of fashion c.1775.