Auctions

Gordon Russell, the Cotswolds School designer, is now famous for his austere designs of utility furniture. Unfortunately for Russell, this means that his work is often neglected and undersold by owners who do not realise his significance in the history of Arts and Crafts design.

THE Essex auctioneers Trembath Welch put together a sound 450-lot sale on 10 September to open the autumn season and were rewarded with generally solid prices and one happy surprise to offset one disappointment – an almost inevitable event in the currently hyper-selective market.

The September 20 auction of Doulton, Poole and Carlton ware at Christie’s South Kensington (17.5/10% buyer’s premium) was a three-part sale that gave two distinctly different performances.

AUTUMN opened at Sotheby’s Sussex with a modest, but quite keenly bid for, furniture offering where the top sellers were two (7ft 6in (2.29m) William IV pine and oak bookcases.

“THIS was a very good way to get the season rolling,” said auctioneer Ben Lloyd of this 371-lot sale at Mallams Oxford on 7 September from which only one lot remained unsold.

CANTERBURY Auction Galleries are celebrating the relaunch of their rooms after a £300,000 modernisation programme. The Lord Mayor of Canterbury, Councillor Fred Whitemore, will re-open the rooms on October 4, revealing, among other changes, a grand new slate staircase and entrance lobby, with new reception area.

“It never gets any easier, it only gets more difficult,” a dealer told Guy Schooling before Sworders’ autumn sale on 18 September. Certainly the Essex auctioneer was ready to assume the worst after a summer so quiet he had to cancel a general sale in August, but the market is also known for its unpredictability, and a frantic two weeks at the beginning of September brought more than 500 lots through the doors.

An evening sale of contemporary ceramics, held by Phillips (17.5/10% buyer’s premium) on September 25 yielded a healthy set of overall statistics and some strong individual results. Just over three-quarters of the 200-odd lots changed hands (82 per cent in value terms) chalking up a net total of just under £390,000.

This early Meissen silver gilt mounted tankard painted in the manner of Horoldt was spotted sitting on top of a radiator by auctioneer Mark Law during a routine valuation.

Sotheby’s 236-lot Clocks, Watches and Barometers sale was the largest of the three held on September 20. Timed to capitalise on the recent opening of the Olympia saleroom, it brought £417,645 and was 73 per cent taken up by lot. This small olivewood marquetry longcase clock, c.1680, 7ft 6in (2.15m), by Joseph Knibb, stole the limelight.

Fewer than half of the 128 lots that made up The Cat Sale at Bonhams & Brooks on September 12 found buyers, but while demand was distinctly patchy and only 10 of 22 works by one of the foremost contemporary exponents of feline portraiture, Anne Mortimer, found buyers, there was no stopping Louis Wain.

THE first UK clocks and watches sale after the summer lull presented a good opportunity to examine the health of a market which is notoriously prone to ups and downs. From results at Gardiner Houlgate, Bath, it would seem that the trade in gentleman’s pocket watches remains buoyant, while ladies’ wristwatches are still hard to shift.

RELATIVELY quiet July and August sales caused a bit of a re-think at Gorringes: “After July we were a little bit worried,” said Lewes specialist Nick Muston. “There has been an adjustment in the market and we have adjusted prices accordingly.”

From the day it was delivered to Lord Yarborough in 1826, this Benjamin Vulliamy travelling clock had remained in the same family until it was sold at Hy Duke’s sale in Dorchester on September 20.

When this walnut chair arrived at Shanklin Auction Rooms (10 per cent premium) on the Isle of Wight it was catalogued as Victorian and expected to fetch £400-600. However, specialist dealers who viewed it before the September 4 sale noted its clean, classical lines its ebony strung motifs and, most significantly, the wrap-around back.

One unexpected result enlivened an otherwise unexceptional sale of Continental decorative arts held by Christie’s South Kensington (17.5/10% buyer’s premium) on September 13.

Scottish painting is, as we know, one of the stronger sectors of the UK art market, but William Page Atkinson Wells (1872-1923) is not one of its better known names.

FRANCE: New auction premises were inaugurated by Lelièvre-Maiche-Paris in Chartres, 55 miles south-west of Paris, at the start of September. Architect Philippe Redreau’s futuristic, hi-tech building, painted black to emphasize its sleek outlines, is situated in the suburb of Le Coudray, just off the Chartres rocade (ring-road) two miles south-west of the town centre.

USA: THE EVENTS of September 11 in New York had repercussions well beyond the city and its environs as antiques and collectables became a low priority for most Americans. Although most fairs did go ahead, a number were postoned or cancelled in the immediate aftermath of the terrorist attacks and the effects on show schedules could stretch well into October and beyond.

“One of their less distinguished sales. There were one or two decent things, but there was no heavyweight stuff...an example of too many auctions of marine things with not enough stock to go round.” Such was the assessment of one leading West End specialist dealer of Bonhams & Brooks (15/10% buyer’s premium) September 5 sale of Marine Works of Art.