Auctions

Belgian rooms content but no more with 2003 performance: 2003 was a “slightly up-and-down year” for Horta of Brussels, according to firm director Jean-Pierre Julien, but he was satisfied with a four per cent increase in sales from 2002, making it Horta’s most lucrative year since they were founded in 1982.

Cheffins of Cambridge are celebrating what must rank as one of the most dramatic – and certainly one of the highest – prices ever recorded in the UK provinces after their February 11-12 sale that included a pair of white marble seated figures by Sir Henry Cheere (1703-81).

Total turnover at UK picture and sculpture sales in 2003 was down 10 per cent on the previous year, according to figures just published by Art Sales Index. This reflects the similar contraction in the international market during the 2002-2003 season announced by ASI in the autumn.

Wrotham Park, Hertfordshire, situated just 14 miles from Central London, has been the home of the Byng family for over 250 years but it is best known to a wider public for the starring role it played as the face of Gosford Park, the stately home in the eponymous Robert Altman film that brilliantly analyses the life of a country house above and below stairs.

Dead animals are usually regarded as a major commercial no-no in a painting, as is excessive size. It was therefore hardly a surprise that a recently restored and relined 5ft 10in by 8ft (1.78 x 2.44m) Richard Ansdell (1815-1885) canvas featuring a dead wolf and a dying dog did not exactly inspire a blizzard of bids when it came under the hammer at Maxwells of Wilmslow on January 23.

CIGARETTE CARDS AND POSTCARDS: The cigarette and postcard auction is one of those corners of the collectables market where sales are keenly awaited by a specialist clientele and where very little tends to get left without a buyer.

An unprecedented crowd of over 500 people turned up to watch, if not bid, at Sotheby’s near sell-out Part I auction of contemporary art on February 5. A stream of telephone bids created numerous eye-catching results, including new auction highs for Nicolas de Staël (£1.15m), Richard Hamilton (£100,000), R.B. Kitaj (£220,000), Paul Pfeiffer (£40,000) and last year’s Turner Prizewinner Grayson Perry (b.1960).

Although it might have been small beer by the standards of the New York Old Master sales reported last week, the presence of a £13,000 Italian still-life painting gave a welcome financial boost to Brightwells’ (15% buyer’s premium) inaugural auction at their new purpose-built Easters Court saleroom on the eastern outskirts of Leominster on January 15.

Furniture designed by Charlotte Perriand (1903–99) and produced by Steph Simon éditeur, raised some stiff start-of-year prices in the Piasa (17.94/11.96% buyer’s premium) saleroom on January 28.

Portsmouth are just hanging on in the Premiership at present, but they too have had their glory days, and in a December 10 sale held by Nesbits of neighbouring Southsea, this programme (right) for the last pre-war FA Cup Final of 1939, in which they beat Wolves 4-1, was sold for £400 (a ticket for that game made £135) and another for the 1934 final, in which they had been beaten 2-1 by Manchester City, was bid to £450.

Scottish, Greek and Australian subjects gave a welcome international feel to the main highlights among the pictures offered on the third day of Gorringes’ (15% buyer’s premium) January 27-29 sale in Lewes.

Contemporary art shines in London: The February round of Impressionist, Modern and Contemporary sales in London gave plenty of evidence that the top end of the art market has made a strong recovery from last year’s bout of Iraq War syndrome.

Although a £12,000 oil by Arthur Spooner (1873-1962) was the most expensive entry in the sale at Derby held by Bamfords (15% buyer’s premium) on December 9-10, perhaps the most eye-catching lot was this Lenci dish, right.

IT was not just Sotheby’s and Christie’s who were generating some exceptional prices for Old Masters in New York in the third week of January. The East 87th Street auctioneers Doyle’s (19.5/12% buyer’s premium) generated keen interest from TEFAF Maastricht exhibitors in the room when they included a moody Gottfried Schalken (1643-1706) canvas in their January 21 sale.

Most Continental auctioneers combine clocks with their furniture sales, and Sotheby’s Amsterdam is alone in hosting the city’s only regular specialist clock and watch outing. These biannual specialist sales attract a mix of local and international dealers and in recent years Sotheby’s specialist Jos Meis has seen an increase in demand from US buyers for decorative French gilt mantel clocks and from Dutch collectors for the quality Dutch clocks in his sales.

THE close of 2003 gave us much information on the current market in 18th-19th century cameos with more than 130 examples on offer between two European auction rooms, one in the UK, the other in Italy.

There is no doubt that a weak dollar has contributed to a weaker UK majolica market – and yet low estimates for good pieces continue to stimulate bidding.

Immortalised on the silver screen by the 1954 film The Dam Busters, Operation Chastise is remembered as one of World War II’s most spectacular and daring air raids.

It wasn’t just top pieces of Americana and Old Master paintings that occupied the salerooms in New York last month, there was also a good selection of Chinese Export porcelain on offer. Christie’s were selling the third installment of the Benjamin Edwards III collection of Export Porcelain on January 20 plus an interesting mixed owner selection in their Captains and Kilns ceramics auction on the same day.

SCALE models of racing cars, and scratch-built models of engine components may not be typical stock for antique dealers but in a very special collectables niche market they enjoy a keen following as was clearly demonstrated by a sell-out sale, held at Christie’s South Kensington (17.5/10% buyer’s premium) last month.